The Los Angeles Opera
is an opera company in Los Angeles, California. It is the fourth largest opera company in the United States. The company's home base is the Dorothy Chandler Pavilion, part of the Los Angeles Music Center.
|
LOS ANGELES OPERA TICKETS
EVENT | DATE | AVAILABILITY |
---|
Los Angeles Opera: Cosi Fan Tutte Tickets 3/8 | Mar 08, 2025 Sat, 7:30 PM | | Los Angeles Opera: Cosi Fan Tutte Tickets 3/16 | Mar 16, 2025 Sun, 2:00 PM | | Los Angeles Opera: Cosi Fan Tutte Tickets 3/19 | Mar 19, 2025 Wed, 7:30 PM | | Los Angeles Opera: Cosi Fan Tutte Tickets 3/22 | Mar 22, 2025 Sat, 7:30 PM | | Los Angeles Opera: Cosi Fan Tutte Tickets 3/27 | Mar 27, 2025 Thu, 7:30 PM | |
|
Current leadership
General director is the Spanish tenor/conductor
Plácido Domingo (his contract runs through the 2010-2011 season). American conductor
James Conlon has been music director since the 2006-2007 season.
History
The Los Angeles Opera company, which made its debut in 1986 with a production of
Verdi's
Otello
starring Plácido Domingo, traces its roots back to the Los Angeles Civic Grand Opera, which was formed in 1948. It presented staged productions through the 1950s. Shortly after its third production at the Dorothy Chandler Pavilion, the company abandoned its own production projects and recreated itself as the Music Center Opera Association by bringing opera from other cities to the Music Center, notably the
New York City Opera. The NYCO brought productions to Los Angeles every fall from 1966 to 1982.
In 1984, the Music Center Opera Association hired
Peter Hemmings and gave him the task of creating a local opera company which would once again present its own productions. This led to the forming of the Los Angeles Opera. Hemmings stepped down as General Director in 2000, with Plácido Domingo assuming leadership of the company following season. (In fact, Domingo had been involved in the creation of the company, having served as its artistic consultant since 1984.)
Productions
The Los Angeles Opera gives between seventy and one hundred performances a year. It offers productions in the
standard operatic repertory as well as new and rarely-staged operas. During the 2003-2004 season, the company performed the world premiere of
Nicholas and Alexandra
, with music composed by
Deborah Drattell and text by
Nicholas von Hoffman. The company has also turned to theater and cinema world for directors of its productions. During the 2001-2002 season, it mounted a production of
Wagner's
Lohengrin
, directed by Austrian actor
Maximilian Schell and a double bill of
Bartók's
Bluebeard's Castle
and
Puccini's
Gianni Schicchi
, directed by filmmaker
William Friedkin.
Highlights of recent seasons have included Verdi's
Falstaff
starring
Bryn Terfel;
Kiri Te Kanawa in the title role of
Samuel Barber's
Vanessa
; Puccini's
La bohème
and
Leoncavallo's
Pagliacci
starring
Angela Gheorghiu and
Roberto Alagna;
Charles Gounod's
Romeo et Juliette
and
Massenet's
Manon
starring
Anna Netrebko and
Rolando Villazón; an all-star
La traviata
(
Verdi) with
Renée Fleming,
Rolando Villazón and
Renato Bruson;
Leos Janacek's
Jenufa
starring
Karita Mattila;
Erwin Schrott in
Don Giovanni
and
Le Nozze di Figaro
; and
Kurt Weill's
Rise and Fall of the City of Mahagonny
starring
Anthony Dean Griffey,
Audra McDonald and
Patti LuPone. To date, Placido Domingo has sung 20 different roles with the company, most recently Siegmund in
Die Walkure
, Vidal Hernando in
Luisa Fernanda
, and the title roles in
Idomeneo
and
Parsifal
. He has also conducted 11 different operas and numerous concerts with the company. Other frequent and notable guests with the company have included
Samuel Ramey,
Violeta Urmana,
Hildegard Behrens,
Denyce Graves,
Frederica von Stade,
Sumi Jo,
Deborah Voigt,
James Morris,
Rod Gilfry,
Jennifer Larmore,
Maria Ewing,
Susan Graham and
Ferruccio Furlanetto.
The company's multi-year
Recovered Voices
project, begun during the 2006-2007 season, is dedicated to presenting little known operas by the lost generation of composers whose lives and careers were cut short by the
Third Reich. To date, the company has presented
Alexander von Zemlinsky's
An Italian Tragedy
and
The Dwarf,
the U.S. premiere of
Viktor Ullmann's
The Broken Jug
, and the U.S. premiere of
Walter Braunfels'
The Birds
as part of this mission.
Productions for the 2009-2010 season include
Donizetti's
L'elisir d'amore
featuring Giuseppe Filianoti, Nino Machaidze and
Nathan Gunn (James Conlon, conductor; Stephen Lawless, director); Wagner's
Siegfried
and
Götterdämmerung
;
Handel's
Tamerlano
starring Plácido Domingo and
Bejun Mehta;
Rossini's
The Barber of Seville
featuring Nathan Gunn,
Juan Diego Florez and
Joyce DiDonato; and the U.S. premiere of
Franz Schreker's
Die Gezeichneten
presented as part of the
Recovered Voices
project.
Der Ring des Nibelungen
The company is currently preparing its first presentation of
Richard Wagner's
Der Ring des Nibelungen
. This will be the first time that Wagner's complete
Ring
cycle will be performed in Los Angeles. New productions of
Das Rheingold
and
Die Walküre
were performed in early 2009, to be followed by
Siegfried
(September/October 2009) and
Götterdämmerung
(April 2010). Three full cycles will then be produced from May 29 through June 26, 2010, accompanied by the citywide
Ring Festival LA
. The innovative production is directed and designed by German theater artist
Achim Freyer and conducted by
James Conlon. The principal artists include
Linda Watson,
Vitalij Kowaljow,
Michelle DeYoung,
Plácido Domingo,
John Treleaven,
Graham Clark,
Gordon Hawkins, Eric Halfvarson,
Alan Held and Jennifer Wilson, among others.
Education and Community Programs
For over 20 years, LA Opera has produced a wide variety of education and outreach programs designed to bring opera to people of all backgrounds, from young children experiencing opera for the first time to experienced opera lovers of all ages. These include “In-School Operas” performed for and by elementary school students; full-scale student matinees and a summer “Opera Camp” for secondary school students; accredited teacher training programs; large-scale free community performances for families; a popular lecture series for ticket holders before every mainstage performance; and open dress rehearsals for senior centers. In 2008, these programs were enjoyed by an all-time high of more than 159,000 students, teachers and community members.
Music Directors
- James Conlon, 2006-present
- Kent Nagano, 2001-2006 (held the official title of "Principal Conductor" from 2001-2003)
|
Other resident conductors
- Grant Gershon, "Associate Conductor/Chorus Master", 2007-present
- William Vendice, "Head of Music Staff/Chorus Master", 1995-2007
- Randall Behr, "Resident Conductor, Chorus Master, and Head of Music Staff", 1988-1995
|