La traviata
is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on the novel La dame aux Camélias
by Alexandre Dumas, fils, published in 1848. The title "La traviata" means literally The Woman Who Strayed
, or perhaps more figuratively, The Fallen Woman
. It was originally titled Violetta
, after the main character.
Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged. [1]
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LA TRAVIATA TICKETS
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Performance history
The first performance of the opera, on 6th March 1853 in Venice's
La Fenice, was an utter failure. The day after, Verdi wrote to his friend Muzio what has now become perhaps his most famous letter: "
La Traviata
last night a failure. My fault or the singers'? Time will tell." This letter not only implies what Verdi already knew—that the singers, particularly the obese soprano who could never convincingly play a dying consumptive, had failed to "understand his music."
[2]. But more importantly, this letter captures Verdi's faith that the public ultimately knows what is and is not good art and will pronounce its judgment in good time.
After some revisions between 1853 and May 1854, mostly affecting Acts 2 and 3, the opera was presented again in Venice, this time at the teatro di San Benedetto.
On 24 May 1856 the revised version was presented at
Her Majesty's Theatre in London followed on 3 December of that year by its premiere in New York.
Today, the opera has become immensely popular and it is a staple of the standard operatic repertoire. It is third on
Opera America's list of the 20 most-performed operas in North America,
[3] behind only
Madama Butterfly
and
La bohème
.
Roles
| Role
| Voice type
| Premiere Cast,
6 March 1853 [4]
(Conductor: – )
|
| Violetta Valéry, a courtesan
| soprano
| Fanny Salvini-Donatelli
|
| Alfredo Germont
| tenor
| Ludovico Graziani
|
| Giorgio Germont, his father
| baritone
| Felice Varesi
|
| Flora Bervoix
| mezzo-soprano
| Speranza Giuseppini
|
| Annina, Violetta's maid
| soprano
| Carlotta Berini
|
| Gastone, Alfredo's friend
| tenor
| Angelo Zuliani
|
| Barone Douphol
| baritone
| Francesco Dragone
|
| Marchese d'Obigny
| bass
| Arnaldo Silvestri
|
| Dottore Grenvil
| bass
| Andrea Bellini
|
| Giuseppe, Violetta's servant
| tenor
| G. Borsato
|
| Flora's servant
| bass
| G. Tona
|
| Commissioner
| bass
| Antonio Mazzini
|
Synopsis
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Place: Paris and its vicinity. [5]
Time: Beginning of the 18th century
(Many modern productions set it during the 19th century instead)
Act 1
The salon in Violetta's house
Violetta Valéry, a famed
courtesan, throws a lavish party at her Paris
salon to celebrate her recovery from an illness. Gastone, a count, has brought with him his friend, the young nobleman Alfredo Germont, who has long adored Violetta from afar. While walking to the salon, Gastone tells Violetta that Alfredo loves her, and that while she was ill, he came to her house every day. Alfredo joins them, admitting the truth of Gastone's remarks.
The Baron, Violetta's current lover, waits nearby to escort her to the salon where the Baron is asked to give a toast, but he refuses, and the crowd turns to Alfredo (Alfredo, Violetta, chorus:
Libiamo ne' lieti calici
– "Drinking song").
From the next room, the sound of the orchestra is heard and the guests move there to dance. Feeling dizzy, Violetta asks her guests to go ahead and to leave her to rest until she recovers. While the guests dance in the next room, Violetta looks at her pale face in her mirror. Alfredo enters and expresses his concern for her fragile health, later declaring his love for her (Alfredo, Violetta:
Un dì, felice, eterea
– "The day I met you"). At first she rejects him because his love means nothing to her, but there is something about Alfredo that touches her heart. He is about to leave when she gives him a flower, telling him to return it when it has wilted. She promises to meet him the next day.
After the guests leave, Violetta wonders if Alfredo could actually be the one in her life (Violetta:
Ah, fors'è lui
– "Perhaps he is the one"). But she concludes that she needs freedom to live her life (Violetta:
Sempre libera
– "Always free"). From off stage, Alfredo's voice is heard singing about love as he walks down the street.
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Act 2
Scene 1: Violetta's country house outside Paris
Three months later, Alfredo and Violetta are living together in a peaceful country house outside Paris. Violetta has fallen in love with Alfredo and she has completely abandoned her former life. Alfredo sings of their happy life together (Alfredo:
De miei bollenti spiriti
– "Wild my dream of ecstasy"). Annina, the maid, arrives from Paris, and, when questioned by Alfredo, tells him that she went there to sell the horses, carriages and everything owned by Violetta to support their country lifestyle.
Alfredo is shocked to learn this and leaves for Paris immediately to settle matters himself. Violetta returns home and receives an invitation from her friend, Flora, to a party in Paris that evening. Alfredo’s father, Giorgio Germont, is announced and demands that she break off her relationship with his son for the sake of his family, since he reveals that Violetta’s relationship with Alfredo has threatened his daughter’s engagement (Giorgio:
Pura siccome un angelo
– "I have a daughter as pure as an angel") because of Violetta's reputation. While, reluctantly, he becomes impressed by Violetta’s nobility, something which he did not expect from a courtesan. She responds that she cannot end the relationship because she loves him so much, but Giorgio pleads with her for the sake of his family. With growing remorse, she finally agrees (Violetta, Giorgio:
Dite alla giovine
– "Say to this child of thine") and says goodbye to Giorgio. In a gesture of gratitude for her kindness and sacrifice, Giorgio kisses her forehead before leaving her weeping alone.
Violetta gives a note to Annina to send to Flora accepting the party invitation and, as she is writing a farewell letter to Alfredo, he enters. She can barely control her sadness and tears; she tells him repeatedly of her unconditional love (Violetta:
Amami Alfredo
– "Love me, Alfredo"). Before rushing out and setting off for Paris, she hands the farewell letter to her servant to give to Alfredo.
Soon, the servant brings the letter to Alfredo and, as soon as he has read it, Giorgio returns and attempts to comfort his son, reminding him of his family in Provence (Giorgio:
Di Provenza il mar
– "In Provence"). Alfredo suspects the Baron is behind his separation with Violetta and the party invitation, which he finds on the desk, strengthens his suspicions. He determines to confront Violetta at the party. Giorgio tries to stop Alfredo, but he rushes out.
Scene 2: Party at Flora’s house
At the party, the Marquis tells Flora that Violetta and Alfredo have separated. She calls for the entertainers to perform for the guests (Chorus:
Noi siamo zingarelle
– "We’re gypsies gay and youthful"); (Chorus:
Di Madride noi siam mattadori
– "We are bullfighters from Madrid"). Gastone and his friends join the matadors and sing (Gastone, chorus, dancers:
E Piquillo, un bel gagliardo
– "Twas Piquillo, so young and so daring").
thumb 2004 production.
Violetta arrives with Baron Douphol. They see Alfredo at the gambling table. When he sees them, Alfredo loudly proclaims that he will take Violetta home with him. Feeling annoyed, the Baron goes to the gambling table and joins him in a game. As they bet, Alfredo wins some large sums until Flora announces that supper is ready. Alfredo leaves with handfuls of money.
As everyone is leaving the room, Violetta has asked Alfredo to see her. Fearing that the Baron's anger will lead him to challenge Alfredo to a duel, she gently asks Alfredo to leave. Alfredo misunderstands her apprehension and demands that she admit that she loves the Baron. In grief, she makes that admission and, furiously, Alfredo calls the guests to witness what he has to say (
Questa donna conoscete?
– "You know this lady?"). He humiliates and denounces Violetta in front of the guests, and then throws his winnings at her feet. She falls, fainting onto the floor. The guests reprimand Alfredo: "Leave at once, we despise you. You have insulted a noble lady".
In search of his son, Giorgio enters the hall and, knowing the real significance of the scene, denounces his son's behavior (Giorgio, Alfredo, Violetta, chorus:
Di sprezzo degno, se stesso rendo
– "Worthy of contempt is the man").
Flora and the ladies attempt to persuade Violetta to leave the dining room, but Violetta turns to Alfredo:
Alfredo, Alfredo, di questo core non puoi comprendere tutto l’amore
– "Alfredo, Alfredo, little canst thou fathom the love within my heart for thee".
Act 3
Violetta’s bedroom
Dr. Grenvil tells Annina that Violetta will not live long since her tuberculosis has worsened. Alone in her room, Violetta reads a letter from Alfredo’s father telling her that the Baron was only wounded in his duel with Alfredo; that he has informed Alfredo of the sacrifice she has made for him and his sister; and that he is sending his son to see her as quickly as possible to ask for her forgiveness. But Violetta senses it is too late (Violetta:
Addio del passato
– "So closes my sad story").
Annina rushes in the room to tell Violetta of Alfredo's arrival. The lovers are reunited and Alfredo suggests that they leave Paris (Alfredo, Violetta:
Parigi, o cara , noi lasceremo
– "Dearest, we’ll leave Paris" ).
But it is too late: she knows her time is up (Alfredo, Violetta:
Gran Dio! morir si giovane
– "O, God! to die so young"). Alfredo's father enters with the doctor, regretting what he has done. Very quickly, Violetta dies in Alfredo’s arms.
Recordings
See La traviata discography
.
Film and other versions
- Donato Lovreglio (1841–1907), an Italian flautist and composer wrote the "Concert Fantasy on themes from Verdi's La traviata
(op. 45)" for clarinet and orchestra; in it, Lovreglio used the overture and several arias from the opera.
- Various versions of the movie Camille
were also adapted from the same novel.
- There is a film version of the opera from 1967, with Anna Moffo as Violetta, Franco Bonisolli as Alfredo, Gino Bechi as Giorgio Germont, and the chorus and orchestra of the Teatro dell'Opera di Roma, conducted by Giuseppe Patanè. The film is directed by Mario Lanfranchi. It is available on DVD. [6]
- Franco Zeffirelli directed another version in 1983, with Teresa Stratas as Violetta, Plácido Domingo as Alfredo, and Cornell MacNeil as Giorgio Germont. [7]
Notes
- Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam, 2001, p. 995. ISBN 0-140-29312-4
- Henry Edward Krehbiel, ''A Book of Operas: Their Histories, Their Plots and Their Music'', New York, The Macmillan Company, 1909, from googlebooks
- OPERA America's "The Top 20" list of most-performed operas
- List of singers taken from Budden, Julian: ''The Operas of Verdi'' (Cassell), vol 2, p. 114.
- The plot description is taken from ''The Opera Goer's Complete Guide'' by Leo Melitz, 1921 version.
- {{Imdb title|0181867|La traviata|(1967)}}
- {{Imdb title|0084821|La traviata|(1983)}}
References
- Holden, Amanda (ed.), ''The New Penguin Opera Guide'', New York: Penguin Putnam, 2001, p. 995. ISBN 0-140-29312-4
- Henry Edward Krehbiel, ''A Book of Operas: Their Histories, Their Plots and Their Music'', New York, The Macmillan Company, 1909, from googlebooks
- OPERA America's "The Top 20" list of most-performed operas
- List of singers taken from Budden, Julian: ''The Operas of Verdi'' (Cassell), vol 2, p. 114.
- The plot description is taken from ''The Opera Goer's Complete Guide'' by Leo Melitz, 1921 version.
- {{Imdb title|0181867|La traviata|(1967)}}
- {{Imdb title|0084821|La traviata|(1983)}}