A Christmas Carol in Prose, Being a Ghost Story of Christmas (commonly known as A Christmas Carol ) is a book by English author Charles Dickens, that was first published on 19 December, 1843. [1] with illustrations by John Leech. Dickens called it his "Little Christmas Book ". [2] The first of the author's five "Christmas books," (a new literary genre created incidentally) the story was instantly successful, selling over six thousand copies in one week. Completed in six weeks under financial duress to help pay off a debt, A Christmas Carol was initially to be written in his leisure moments while writing the more grave work Martin Chuzzlewit , but it soon claimed a place in the authors life that made its composition anything but a "leisure" task, he cried over it, he laughed over it, and friends who were with him during the closing months of 1843 have left their evidence of the power that story left over the novelists thoughts and imagination.'' [3] A Christmas Carol has become one of the most popular and enduring Christmas stories of all time. [4] Some historians have suggested that its popularity played a significant role in redefining the importance of Christmas and the "spirit" of the holiday. [5] [6] [7] [8] English novelist William Makepeace Thackeray called it; “a national benefit, and to every man and woman who reads it a personal kindness”. [9] "If Christmas, with its ancient and hospitable customs, its social and charitable observances, were in danger of decay, this is the book that would give them a new lease," said poet Thomas Hood. [10] Further Christmas books, essays, and stories followed annually (except in 1847) through 1867. However, none equaled A Christmas Carol in potency. Together they represent a celebration of Christmas attempted by no other great author. In 1870, a London costermonger’s girl was heard to exclaim, “Dickens dead? Then will Father Christmas die too?” — a tribute both to Dickens' association with Christmas and the mythological status of his work. [11] First edition copies of A Christmas Carol , with Illustrations by John Leech; London: Chapman & Hall (1843) in exceptional condition, estimated to be anywhere from $30,000 to $50,000 in value. [12] The book has been adapted in opera, films, radio and recordings.

A CHRISTMAS CAROL TICKETS EVENT DATE AVAILABILITY A Christmas Carol Tickets 11/27 Nov 27, 2024 Wed, 7:30 PM A Christmas Carol Tickets 11/27 Nov 27, 2024 Wed, 2:00 PM A Christmas Carol Tickets 11/27 Nov 27, 2024 Wed, 7:45 PM A Christmas Carol Tickets 11/27 Nov 27, 2024 Wed, 7:00 PM A Christmas Carol Tickets 11/27 Nov 27, 2024 Wed, 7:00 PM

Plot

“	Marley was dead: to begin with.	”
—Opening line to A Christmas Carol

A Christmas Carol is a Victorian morality tale of an old and bitter miser, Ebenezer Scrooge. Scrooge, a usurious moneylender who has devoted his life to the accumulation of wealth, undergoes a profound experience of redemption over the course of a Christmas Eve night.

Preface

In the Preface to the Original Edition, Dickens wrote:

"I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it.
Their faithful Friend and Servant,
C. D.
December, 1843."

Stave I: Marley's Ghost

Christmas Eve, seven years to the day after the death of his business partner Jacob Marley, Ebenezer Scrooge and his downtrodden clerk Bob Cratchit are at work in Scrooge’s counting-house. Scrooge's nephew, Fred, arrives with seasonal greetings and an invitation to Christmas dinner, but Scrooge dismisses him with "Bah! Humbug!", declaring that Christmas is a fraud. Two gentlemen collecting charitable donations for the poor are likewise rebuffed by Scrooge, who insists that the poor laws and workhouses are sufficient to care for the poor, and that "If they would rather die than go there, they had better do it, and decrease the surplus population." As he and his clerk prepare to leave, he grudgingly permits Cratchit one day's paid holiday the following day, but tells Cratchit he must be there the morning after Christmas all the earlier—otherwise, there will be a deduction from his wages.

Scrooge returns home to his cheerless rooms, and a series of supernatural experiences begins. His doorknocker appears to transform into Marley's face; a "locomotive hearse" seems to mount the dark stairs ahead of him. Finally, all the bells in the house ring loudly, there is a clanking of chains ascending the stairs, and the ghost of Marley passes through the closed door into the room.

The ghost warns Scrooge that if he does not change his ways, he will suffer Marley's fate, but Scrooge's fate would be even worse. He will walk the earth eternally after death, invisible among his fellow men, burdened with chains, seeing the misery and suffering he could have alleviated in his life but now powerless to intervene. Marley has arranged Scrooge's only chance of redemption: three spirits will visit him on successive nights, and they may help change him and save him from his fate. As Marley leaves, Scrooge gets a nightmare glimpse of the tormented spectres who drift unseen among the living, and now exhausted, he falls into bed.

Stave II: The First of the Three Spirits

Scrooge awakens to hear the tolling of the twelfth hour which he finds confusing being certain he was up until past two. Scrooge briefly considers the possibility that he has slept nearly a day or that he has awakened at noon to a world without a sun. After an hour of foreboding terror for Scrooge, the Ghost of Christmas Past, a strange mixture of young and old, male and female, with a light shining from the crown of its head, appears at the stroke of one. It leads Scrooge on a journey to some of his past Christmases, where events shaped his life and character. He sees his late sister Fan, who intervened to rescue him from lonely exile at boarding school, and, recalling his recent treatment of Fan's son Fred, Scrooge feels the first stirrings of regret. They revisit a merry Christmas party given by Fezziwig, Scrooge's kind apprentice-master, and Scrooge thinks guiltily of his own behaviour toward Bob Cratchit. Finally, he is reminded how his love of money lost him the love of his life, Belle, and the happiness this cost him. Furious, Scrooge turns on the spirit and tries to snuff it like a candle with its cap, only to find himself in his own bed, struggling only with a bedpost. Exhausted and confused, he falls almost immediately asleep.

Stave III: The Second of the Three Spirits

Scrooge wakes again at the stroke of one, confused to find it is still night and by the peculiar passage of time. After a time, hearing noises, he rises and finds the second spirit, the Ghost of Christmas Present, in an adjoining room, on a throne made of Christmas food and drink. This spirit, a great genial man in a green coat lined with fur, takes him through the bustling streets of London on the current Christmas morning, sprinkling the essence of Christmas onto the happy populace. They observe the meagre but happy Christmas celebrations of the Cratchit family and the sweet nature of their "forgotten" son Tiny Tim, and when the Spirit foretells an early death for the child if things remain unchanged, Scrooge is distraught and wishes to change the future. He is shown what others think of him: the Cratchits toast him, but reluctantly, and "a shadow was cast over the party for a full five minutes." Scrooge's nephew and his wife, Clara, and Friends gently mock his miserly behaviour at their Christmas party, but Fred maintains his uncle's potential for change, and Scrooge demonstrates a childlike enjoyment of the celebrations.

They travel far and wide, and see how even the most wretched of people mark Christmas in some way, whatever their circumstances. The Ghost, however, grows visibly older, and explains he must die that night. He shows Scrooge two pitiful children huddled under his robes who personify the major causes of suffering in the world, "Ignorance" and "Want," with a grim warning that the former is especially harmful. At the end of the visitation, the bell strikes twelve. The Ghost of Christmas Present vanishes and the third spirit appears to Scrooge.

Stave IV: The Last of the Spirits

The Ghost of Christmas Yet to Come takes the form of a grim spectre, robed in black, who does not speak and whose body is entirely hidden except for one pointing hand. This spirit frightens Scrooge more than the others, and harrows him with a vision of a future Christmas with the Cratchit family bereft of Tiny Tim. A rich miser, whose death saddens nobody and whose home and corpse have been robbed by ghoulish attendants, is revealed to be Scrooge himself: this is the fate that awaits him. Without its explicitly being said, Scrooge learns that he can avoid the future he has been shown and alter the fate of Tiny Tim, but only if he changes. Weeping, he swears to do so, and awakes to find that all three spirits have visited in just one night, and that it is Christmas morning.

Stave V: The End of It

thumb reconciled in Stave V. Scrooge changes his life and reverts to the generous, kindhearted soul he was in his youth before the death of Fan. He anonymously sends the Cratchits the biggest turkey in the butcher shop, meets the charity workers to pledge an unspecified but impressive amount of money, and spends Christmas Day with Fred and his wife.

The next day, Scrooge sees his clerk arriving late and pretends to be his old miserly self before revealing his new person to an astonished Cratchit. He assists Bob and his family, becomes an adopted uncle to Tiny Tim, and gains a reputation as a kind and generous man who embodies the spirit of Christmas in his life.

Characters

Principals

• Ebenezer Scrooge
• Bob Cratchit
• Fred (Scrooge's nephew)
• Tiny Tim (son of Bob)
• Jacob Marley
• Ghost of Christmas Past
• Ghost of Christmas Present
• Ghost of Christmas Yet to Come

Explanation of the Book's Title

According to the Oxford English Dictionary, a carol was originally a medieval round dance, a ring-type movement, and later was a word for a particular type of ballad. ^[13] By Dickens' time, the word "carol" had come closer to its modern meaning, being a joyful hymn specific to Christmas. Musical notation is written on five staves. Dickens takes this musical analogy further, dividing the novella into five "staves" instead of chapters. However, "stave" or "staff" can also mean "letter." A Christmas Carol , therefore, can be said to consist not only of five musical staves, but also of five letters, namely C-A-R-O-L. ^[14] The word is also analogous to the Norwegian Stev, meaning verse. In this sense, the carol has five verses.

The History of the Manuscript

When the manuscript was returned after printing, Dickens arranged for it to be finely bound in red Morocco leather and presented it as a gift to his solicitor, Thomas Mitton, from whom he had borrowed some money. The cover was lettered, "Thomas Mitton Esqre." on the front cover and ‘A Christmas Carol / Dickens / MDCCCXLIII’ on the spine. ^[15]

In 1875, Thomas Mitton sold the manuscript to Francis Harvey, a bookseller, for £50. It was then purchased by Henry George Churchill, an autograph collector who had it photographed and who had 750 facsimile copies made from these photographs. In 1882, Churchill sold the manuscript to Bennett, a Birmingham bookseller, who in turn sold it for £200 to Stuart M. Samuel, of Samuel Montagu & Co. It was then purchased by J. Pearson & Co., presumably from Samuel, for £1000. Finally, it was purchased by John Pierpont Morgan, a fan of Dickens, in the 1890s. He acquired it for more than £600, the equivalent of £150,000 today. ^[16] The manuscript was donated to the American people after his death in 1913, along with the rest of his collection, ^[17] and is now held by the The Morgan Library & Museum, who display it every Christmas.

The Christmas Books

A Christmas Carol was originally published as a series of Christmas books by Dickens. The others are:

• The Chimes (Chapman and Hall; 16 December 1844)
• The Cricket on the Hearth (Bradbury & Evans; 20 December 1845)
• The Battle of Life (Bradbury & Evans; 19 December 1846)
• The Haunted Man and the Ghost’s Bargain (Bradbury & Evans; 19 December 1848)

Major Themes

The novel deals extensively with two of Dickens' recurrent themes, social injustice and poverty, the relationship between the two, and their causes and effects. These themes were never far from Dickens' mind, as seen in a number of his books, including Oliver Twist, David Copperfield, Bleak House, and Hard Times, in his vivid writing on London life. He is credited with bringing an awareness of these issues to the general public, and using his novels to effect real social and political change. ^[18]

With its working title of "The Sledgehammer", the novel was intended as a strongly political work, written to illustrate the ever-widening gap between the rich, as characterized by the miserly and cheerless Scrooge, and the poor, as embodied in the character of the hard-working and loyal Cratchit, in the dark days of the Industrial Revolution.

The first edition of A Christmas Carol was illustrated by John Leech, a politically radical artist who in the cartoon "Substance and Shadow" printed earlier in 1843 had explicitly criticised artists who failed to address social issues.

Dickens wrote in the wake of British government changes to the welfare system known as the Poor Laws, changes which required among other things, welfare applicants to "work" on treadmills, as Scrooge points out. Dickens asks, in effect, for people to recognise the plight of those whom the Industrial Revolution has displaced and driven into poverty, and the obligation of society to provide for them humanely. Failure to do so, the writer implies through the personification of Ignorance and Want as ghastly children, will result in an unnamed "Doom" for those who, like Scrooge, believe their wealth and status qualifies them to sit in judgement of the poor rather than to assist them.

Scrooge “embodies all the selfishness and indifference of the prosperous classes who parrot phrases about the ‘surplus population’ and think their social responsibilities fully discharged when they have paid their taxes.” ^[19]

Allusion to History

Scrooge offends the Ghost of Christmas Present by suggesting that the Spirit's name is linked to a recent attempt to close bakers' shops on Sundays and Christmas Day. (Poor people like the Cratchits, who had no oven at home, took their Sunday and Christmas meals to the bakers' to be roasted just as Dickens describes in the book, because the law forbade bread to be baked on that day. Closing the shops would deprive them of what might be their only hot meat meal of the week.) The Spirit angrily retorts:

“There are some upon this earth of yours...who lay claim to know us, and who do their deed of passion, pride, ill-will, hatred, envy, bigotry and selfishness in our name, who are as strange to us and to all our kith and kin, as if they had never lived. Remember that, and charge their doings on themselves, not us." (The Ghost of Christmas Present, A Christmas Carol , Stave Three)

This is a reference to the repeated attempts during the 1830s of Sir Andrew Agnew, MP for Wigtownshire, to introduce a Sunday Observance Bill in Parliament which would have closed the bakeries and restricted many other Sunday pleasures of the poorer classes. ^[20] Dickens was vociferously opposed to Agnew's plans and had attacked them in a pamphlet published under a pseudonym. ^[21]

References

1. Dickens sent out advanced presentation copies on the 17th while the official release date was the 19th. He was sold out by the 22nd. (see Hearn (2004), pg.xiviii)
2. John Forster's "The Life of Charles Dickens"
3. New York Times: A Christmas Carol
4. Hearn (2004), xxxi
5. Dickens and A Christmas Carol
6. Hearn (2004), Introduction
7. Les Standiford. ''The Man Who Invented Christmas: How Charles Dickens's A Christmas Carol Rescued His Career and Revived Our Holiday Spirits'', Crown, 2008. ISBN 978-0307405784
8. Dickens & Christmas
9. excerpt read by William Makepeace Thackeray, New York City (1852)
10. Hood's Magazine and Comic Review
11. Father Christmas; How Charles Dickens almost single-handedly created our sense of what makes the season
12. A Christmas Carol
13. Wiktionary entry for carol
14. Dickens' A Christmas Carol: Revisiting and Reformation'
15. Morgan Library Catalog Entry
16. The Morgan Library and Museum Online Exhibition
17. The get-rich-quick scheme called 'A Christmas Carol'
18. A Christmas Carol: Theme Analysis
19. Slater, Michael (ed.),''Charles Dickens, The Christmas Books Volume 1'', Penguin 1971, p. xiv.
20. Slater, op. cit., 206.
21. ''Sunday Under Three Heads'' by "Timothy Sparks" aka Charles Dickens, at www.charlesdickens.org