Youssou N'Dour
(; born 1 October 1959 in Dakar) is a Senegalese singer, percussionist and occasional actor. In 2004, Rolling Stone
described him as, in Senegal and much of Africa, "perhaps the most famous singer alive." [1] He helped develop a style of popular music in Senegal, known by its Wolof language name of mbalax
.
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YOUSSOU N'DOUR TICKETS
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Background
Mbalax is a blend of the country's
traditional griot percussion and praise-singing with the
Afro-Cuban and Haitian
kompa arrangements and flavors which made the return trip from the
Caribbean to
West Africa in the 1940s, 50s, and 60s and have flourished in West Africa ever since. Beginning in the mid-1970s the resulting mix was modernized with a gloss of more complex indigenous
Senegalese dance rhythms, roomy and melodic guitar and saxophone solos, chattering talking-drum soliloquies and, on occasion,
Sufi-inspired
Muslim religious chant. This created a new music which was at turns nostalgic, restrained and stately, or celebratory, explosively syncopated and funky. Younger Senegalese musicians steeped in
Jimi Hendrix,
Carlos Santana,
James Brown, and the whole range of American
jazz,
soul, and
rock music, which Senegal's cosmopolitan capital,
Dakar, had enthusiastically absorbed, were rediscovering their heritage and seeking out traditional performers, particularly singers and
talking drummers, to join their bands. (The griots—musicians, praise-singers and storyteller-historians—comprise a distinct hereditary
caste in
Wolof society and throughout West Africa.) As it emerged from this period of fruitful musical turbulence, mbalax would eventually find in Youssou N'Dour the performer who has arguably had more to do with its shaping than any other individual.
Life and work
He began performing at the age of 12. Within a couple of years he was performing regularly with the
Star Band, Dakar's most popular group in the early 1970s. Several members of the Star Band joined
Orchestre Baobab about that time.
Although N’Dour has connections to the traditional
griot caste on his mother’s side, he wasn’t raised in that tradition, learning it instead from his siblings. His parents encouraged him to look at things in a more modern manner, leaving him open to two cultures, with the result that he refers to himself as a modern griot.
In 1979, he formed his own ensemble, the
Etoile de Dakar. His early work with Etoile de Dakar was in the typical Latin style popular all over Africa during that time, but in the 1980s he developed a unique sound when he started his current group,
Super Etoile de Dakar featuring
Jimi Mbaye on guitar, bassist
Habib Faye, and
tama (talking drum) player
Assane Thiam.
Youssou N'Dour is one of the most celebrated
African musicians in
history. A renowned singer, songwriter, and composer, Youssou's mix of traditional Senegalese mbalax with
eclectic influences ranging from
Cuban
samba to
hip hop, jazz, and soul has won him an international fan base of millions. In the West, Youssou has collaborated with musicians
Peter Gabriel,
[2] Axelle Red,
[3] Sting,
[4] Alan Stivell,
[5] Bran Van 3000,
[6] Neneh Cherry,
[7] Wyclef Jean,
Paul Simon,
Bruce Springsteen,
Tracy Chapman,
Branford Marsalis,
Ryuichi Sakamoto and others. In Senegal, Youssou is a powerful cultural icon actively involved in social issues.
He is endowed with remarkable range and poise, a
composer,
bandleader, and producer with a prodigious musical intelligence.
The New York Times
described his voice as an "arresting tenor, a supple weapon deployed with prophetic authority".
[8] N'Dour absorbs the entire Senegalese musical spectrum in his work, often filtering this through the lens of genre-defying rock or
pop music from outside Senegalese culture.
In July 1993, an
African
opera composed by N'Dour premiered at the
Opéra Garnier for the Paris quartier d'été festival. He wrote and performed the official anthem of the
1998 FIFA World Cup with
Axelle Red "La Cour des Grands".
N'Dour's major asset is that he is strongly grounded in his
culture. Even if he chooses to explore elsewhere, his roots are well established. Some have gone so far as describing him as the African Artist of the Century (
Folk Roots
magazine). He has toured internationally for almost 30 years. He won his first American
Grammy Award (
best contemporary world music album) for his CD
Egypt
in 2005.
In recent years,
[when?] he has opened his own recording studio, Xippi, as well as his own record label, Jololi.
N'Dour has associated himself with several social and political issues. In 1985, he organized a concert for the release of
Nelson Mandela. He was a featured performer in the 1988 worldwide
Amnesty International Human Rights Now! Tour collaborating with
Lou Reed to contribute a version of the Peter Gabriel song
Biko
which was produced by
Richard James Burgess and featured on the Amnesty International benefit album
The Secret Policeman's Third Ball
. He has also worked with the
United Nations and
UNICEF and he started to open
internet cafés in Africa and to connect Senegalese communities around the world. He performed at three of the
Live 8 concerts (in
Live 8 concert, London,
Live 8 concert, Paris and at the
Live 8 concert, Eden Project in Cornwall) on 2 July 2005, with
Dido.
[9]
In 2006, N'Dour played the African-British abolitionist
Olaudah Equiano in the movie
Amazing Grace
, which chronicles the efforts of
William Wilberforce to end slavery in the British Empire.
[10]
Recently,
[when?] he has covered
John Lennon's "
Jealous Guy" for the CD
Instant Karma: The Amnesty International Campaign to Save Darfur
. He also featured in a joint Spain-Senegal ad campaign against illegal immigrants.
Youssou N'Dour participated in the
Stock Exchange of Visions project in 2007.
[11]
In 2009 N'Dour released his song "Wake Up (It's Africa Calling)" under Creative Commons license to help
IntraHealth International in their
IntraHealth Open campaign to bring open source health applications to Africa. The song was remixed by a variety of artists including
Nas,
Peter Buck of
R.E.M., and
Duncan Sheik to help raise money for the campaign.
Discography
- Bitim Rew
(1984)
- Nelson Mandela
(1986)
- Immigrés
(1988)
- The Lion
(1989) — considered his breakthrough album
- Set
(1990)
- Eyes Open
(1992)
- Guide (Wommat)
(1994)
- Djamil
(1996)
- Inedits 84-85
(1997)
- Special Fin D'annee Plus
(1999)
- Lii
(2000)
- Joko: The Link
(2000)
- Rewmi
(2000)
- Le Grand Bal
(2000)
- St. Louis
(2000)
- Le Grand Bal a Bercy
(2001)
- Ba Tay
(2002)
- Nothing's In Vain
(2002)
- Youssou N'Dour and His Friends
(2002)
- Kirikou
(2004)
- Egypt
(2004)
- ''Alsaama Day (2007)
- Rokku Mi Rokka
(2007) — #30 in Rolling Stone
's Top 50 Albums of 2007. [12]
Compilations
- The Best of Youssou N'Dour
(1995)
- Euleek Sibir with Omar
(You et Pene) (1996)
- Immigrés/Bitim Rew
(1997)
- Best of the 80's
(1998)
- Hey You: The Essential Collection 1988–1990
(1998)
- Birth of a Star
(2001)
- Rough Guide to Youssou N'Dour & Etoile de Dakar
(2002)
- 7 Seconds: The Best of Youssou N'Dour
(Remastered) (2004)
- Instant Karma: The Amnesty International Campaign to Save Darfur
— John Lennon's "Jealous Guy" (2007)
Singles
Year
| Title
| Chart positions
| Album
|
US Hot 100
| Modern Rock
| US Mainstream Rock
| Singles
| Singles
| Singles
| Singles
| Singles
|
1989
| "Shaking the Tree" (with Peter Gabriel)
| -
| # 9
| -
| #61
| -
| -
| -
| -
| The Lion
.
|
1994
| "7 Seconds"
| #98
| -
| -
| # 3
| # 8
| # 1
| # 3
| # 3
| (Single)
. Duet with Neneh Cherry.
|
2002
| "So Many Men" (feat. Joy Denalane)
| -
| -
| -
| -
| -
| # 35
| -
| -
| Nothing's in Vain (Coono du reer)
. (Single)
. Duet with Pascal Obispo.
|
Films
Amazing Grace
(2006)
*As Olaudah Equiano. "A central figure in the abolitionist movement in Great Britain, Olaudah Equiano (c.1745–97) wrote an eyewitness account of his life as a slave and of his work in the anti-slavery movement: The Interesting Narrative of the Life of Olaudah Equiano
."
*As a musician on the film's soundtrack.
Retour à Gorée
(2007)
*As himself, journeying from the island of Gorée to the USA and back, exploring the origins of jazz, which go back to the era of slave trade in Africa, through a concert performed by an international group of artists.
Youssou N´Dour: I Bring What I Love
(2008)
*As himself, through the recording of Egypt album and its repercussions.
References and notes
- Considine, J.D. and Matos, Michaelangelo, "Biography: Youssou N'Dour" ''RollingStone.com'', 2004
- Llewellyn Smith, Caspar, "Soundtrack of my life: Youssou N'Dour" ''Guardian.co.uk'', 15 June 2008
- Perrone, Pierre, "Music: The song remains the game" ''Independent.co.uk'', 29 May 1998
- Hudson, Mark, "Supernatural superstar" ''Telegraph.co.uk'', 12 December 2002
- "Scotland News — Listings: Critics' choice" ''TimesOnline.co.uk'', 11 January 2004
- Gill, Andy, "Album: Bran van 3000" ''Independent.co.uk'', 14 June 2001
- Cumming, Tim, "Youssou N'Dour and the Fathi Salama Orchestra, Barbican, London" ''Independent.co.uk'', 21 October 2004
- Powers, Ann, "WORLD MUSIC REVIEW; African Drumbeats That Shout Out in Celebration" ''NYTimes.com'', 23 November 2000
- "Dido, Youssou and the three-gig dash" ''Guardian.co.uk'', 3 July 2005
- Moss, Stephen, "'I'm bringing a message'" ''Guardian.co.uk'', 21 March 2007
- "Youssou n’Dour the Africa’s Music Maestro" ''ThisDayOnline.com'', 13 June 2009
- CHRISTGAU, ROBERT; FRICKE, DAVID; HOARD, CHRISTIAN; SHEFFIELD, ROB, "The Top 50 Albums of 2007" ''RollingStone.com'', 17 December 2007