Smashing Pumpkins Wiki Information
The Smashing Pumpkins
are an American alternative rock band that formed in Chicago, Illinois in 1988. [1] Formed by Billy Corgan (vocals/guitar) and James Iha (guitar / backing vocals), the band has included D'arcy Wretzky (bass guitar / backing vocals), Jimmy Chamberlin (drums/percussion), and Melissa Auf der Maur (bass guitar) among its membership.
Disavowing the punk rock roots shared by many of their alt-rock contemporaries, [2] the Pumpkins have a diverse, densely layered, and guitar-heavy sound, containing elements of gothic rock, heavy metal, dream pop, psychedelic rock, arena rock, shoegazer-style production and, in later recordings, electronica. Frontman Billy Corgan is the group's primary songwriter—his grand musical ambitions and cathartic lyrics have shaped the band's albums and songs, which have been described as "anguished, bruised reports from Billy Corgan's nightmare-land". [3]
The Smashing Pumpkins broke into the musical mainstream with their second album, Siamese Dream
(1993). The group built its audience with extensive touring and their follow-up, the double album Mellon Collie and the Infinite Sadness
(1995), debuted at number one on the Billboard
200 album chart. With approximately 18.25 million albums sold in the United States alone, [4] The Smashing Pumpkins were one of the most commercially successful and critically acclaimed bands of the 1990s. [5] However, internal fighting, drug use, and diminishing record sales hampered the band and led to a 2000 break-up. In April 2006, the band officially announced that it was reuniting and recording a new album. Returning members Billy Corgan and Jimmy Chamberlin were joined by musicians Jeff Schroeder (guitar/vocals), Ginger Reyes (bass/vocals), and Lisa Harriton (keyboard/vocals) in 2007 to tour in support of their new release, Zeitgeist
. In 2009, Chamberlin left the band; Corgan recruited drummer Mike Byrne as a replacement.
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SMASHING PUMPKINS TICKETS
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History
Early years: 1988–1991
At the age of nineteen, singer and guitarist Billy Corgan left his native city of Chicago and moved to
St. Petersburg,
Florida with his
gothic rock band
The Marked. The band had limited success and quickly broke up. Corgan returned to Chicago, taking a job in a record store. While working there, he met guitarist James Iha. Adorning themselves with
paisley and other psychedelic trappings, the two began writing songs together (with the aid of a
drum machine) that were heavily influenced by
The Cure and
New Order.
[6] Corgan met bassist D'arcy Wretzky in 1988 after a show by the
Dan Reed Network where they argued the merits of the band. After finding out Wretzky played bass, Corgan stated his band's need for a bassist and gave Wretzky his telephone number. Wretzky soon joined the band, and she and Iha later had a short-lived romance.
[7]
The first performance of The Smashing Pumpkins was on July 9, 1988, at the Polish bar Chicago 21. This performance included only Corgan and Iha with a drum machine.
[8] On August 10, 1988, the band played for the first time as a trio at the Avalon Nightclub.
[9] After this show,
Cabaret Metro owner
Joe Shanahan agreed to book the band on the condition that they replace the drum machine with a live drummer.
Jazz drummer Jimmy Chamberlin was recruited for the band after a recommendation from a friend of Corgan's.
Chamberlin was at first an unlikely match, as he knew nothing of alternative rock at the time. As Corgan recalled of the period, "We were completely into the sad-rock, Cure kind of thing. It took about two or three practices before I realized that the power in his playing was something that enabled us to rock harder than we could ever have imagined."
On October 5, 1988, the complete band took the stage for the first time at the Cabaret Metro.
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In 1989, The Smashing Pumpkins made their first appearance on record with the compilation album
Light Into Dark
, which featured several Chicago alternative bands. The group released its first record, a limited edition
single of "
I Am One", in 1990 on local Chicago label Limited Potential. The single sold out and they released another single, "
Tristessa", on
Sub Pop, after which they signed to
Caroline Records.
[11] The Smashing Pumpkins recorded their 1991 debut album
Gish
with producer
Butch Vig at his
Smart Studios in
Madison, Wisconsin, for $20,000.
[12] In order to gain the consistency he desired, Corgan often played all instruments save drums, which created tension in the band. The music fused
heavy metal guitars,
psychedelia and
dream pop, garnering them comparisons to
Jane's Addiction.
[13] Gish
became a minor success, with the single "
Rhinoceros" receiving some airplay on
modern rock radio. After releasing the
Lull
EP in October 1991 on Caroline Records, the band formally signed with
Virgin Records, which was affiliated with Caroline.
The band supported the album with a tour that included opening for bands such as the
Red Hot Chili Peppers, Jane's Addiction, and
Guns N' Roses. During the tour, Iha and Wretzky went through a messy breakup, Chamberlin became addicted to narcotics and alcohol, and Corgan entered a deep
depression,
[14] writing some songs for the upcoming album in the parking garage where he lived at the time.
[15]
Mainstream success: 1992–1994
With the breakthrough of alternative rock into the American mainstream due to the popularity of
grunge bands such as
Nirvana and
Pearl Jam, The Smashing Pumpkins were poised for major commercial success. At this time, and amid their protests, the Pumpkins were routinely lumped in with the grunge movement. In a
Halloween night interview on
MTV's
120 Minutes
in 1993, Corgan remarked, "We've graduated now from [being called] 'the next Jane's Addiction' to 'the next Nirvana,' now we're 'the next Pearl Jam.'"
[16] The group nevertheless contributed the song "
Drown" to the platinum-selling soundtrack of the 1992 movie
Singles
, a film set in the
Seattle grunge music scene.
Corgan said that in the wake of Nirvana's landmark 1991 album
Nevermind
, "We felt a great pressure that if we didn't come up with a record that was huge, we were done. It was that simple in our minds. We felt like our lives depended on it."
Corgan's depression deepened to the point where he contemplated
suicide.
[17] To counteract his depression, Corgan worked overtime, saying he practically lived in the studio for the 1993 follow-up album,
Siamese Dream
. The album was recorded at Triclops Sound Studios in
Atlanta, Georgia, mostly between December 1992 and March 1993. The band lived in
Marietta during the sessions, as Butch Vig reprised his role as producer. The decision to record so far away from their hometown was motivated partly by the band's desire to avoid local friends and distractions during the recording, but largely as a desperate attempt to cut Chamberlin off from his known drug connections.
In this respect, the strategy failed, as Chamberlin quickly managed to find new connections and often was absent without any contact for days at a time.
The recording environment was very difficult, and the band fought constantly. The contemporary music press portrayed Corgan as a tyrant during the recording sessions. Corgan admitted there was some truth to the accusations, though he felt the press misunderstood the situation.
[18] Rumors circulated that he had recorded all the guitar and bass parts himself. It was never confirmed exactly how much each member participated on the album; Corgan did say he performed a majority of the guitar work, but only because he could record tracks and parts in far fewer takes.
[19] In 2007, Corgan would finally clarify the nature of the band's recording habits, stating "ninety-seven percent of what you would hear off of any Smashing Pumpkins record is, pretty much, just Billy and Jimmy."
[20] In all, it took over four months to complete the record, with the budget exceeding $250,000.
Despite all the problems in its recording,
Siamese Dream
debuted at number ten on the
Billboard
charts,
[21] and sold over four million copies in the U.S. alone.
[22]
While the Pumpkins were successful, they were not universally adored by the alternative rock community. Participants in the indie scene had derided the band as
careerists since their early days.
band
Pavement's 1994 song "Range Life" refers to the band with the lines "I don't understand what they mean/And I could really give a fuck", which have been widely interpreted as an insult (although
Stephen Malkmus, lead singer of Pavement, has stated "I never dissed their music. I just dissed their status.").
[23] Former
Hüsker Dü frontman
Bob Mould called them "the grunge
Monkees",
and fellow Chicago musician/producer
Steve Albini wrote a scathing letter in response to an article praising the band. He countered that the Pumpkins were no more alternative than
REO Speedwagon and said they were created "by, of and for the mainstream" and "stylistically appropriate for the current college party scene, but ultimately insignificant".
[24] Others such as
Courtney Love of
Hole (who dated Corgan before marrying Nirvana's
Kurt Cobain) were vocal supporters of the band.
In 1994, Virgin released the
B-sides/rarities compilation
Pisces Iscariot
which outperformed
Siamese Dream
by reaching number four on the
Billboard
charts.
[25] Also released was a VHS cassette titled
Vieuphoria
featuring a mix of live performances and behind-the-scenes footage. Following relentless touring to support the recordings, including headline slots on the 1994
Lollapalooza tour and at
Reading Festival in 1995, the band took time off to write the follow-up album.
Mellon Collie and the Infinite Sadness
: 1995–1997
Corgan worked nonstop over the next year and wrote, according to statements in interviews, about fifty-six songs for the next album.
[26] Following this spell of concentrated creativity, the Pumpkins went back into the studio with producers
Flood and
Alan Moulder to work on what Corgan described as "
The Wall
for
Generation X",
[27] a comparison with the 1979
Pink Floyd two-LP
concept album.
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The result was
Mellon Collie and the Infinite Sadness
, a
double album featuring twenty-eight songs and lasting over two hours (the vinyl version of the album contained three records, two extra songs, and an alternate tracklisting). The songs were intended to hang together conceptually as a symbol of the cycle of life and death.
Praised by
Time
as "the group's most ambitious and accomplished work yet",
[28] Mellon Collie
debuted at number one on the
Billboard
charts in October 1995.
[29] Even more successful than
Siamese Dream
, it was certified nine times platinum in the United States
[30] and became the best-selling double album of the decade to date.
[31] It also garnered seven
1997 Grammy Award nominations, including Album of the Year. The band won only the
Best Hard Rock Performance award, for the album's lead single "
Bullet with Butterfly Wings". The album spawned five singles—"Bullet with Butterfly Wings", "
1979", "
Zero", "
Tonight, Tonight", and "
Thirty-Three"—of which the first three were certified gold and all but "Zero" entered the Top 40. Many of the remaining songs that did not make it onto
Mellon Collie
were released as B-sides to the singles, and were eventually compiled in
The Aeroplane Flies High
box set. As a testament to the band's popularity, Virgin Records originally intended to limit the set to 200,000 copies, but produced more after the original run sold out due to overwhelming demand.
[32]
In 1996, the Pumpkins embarked on an extended world tour in support of
Mellon Collie
. Corgan's look during this period—a shaved head, a longsleeve black shirt with the word "Zero" printed on it, and silver pants—became iconic.
[33] That year, the band also made a guest appearance in an episode of
The Simpsons
, "
Homerpalooza". With considerable video rotation on MTV, major industry awards, and "Zero" shirts selling in many
malls, the Pumpkins were considered one of the most popular bands of the time.
[34] [35] But the year was far from entirely positive for the band. In May, the Smashing Pumpkins played a gig at
The Point Theatre in Dublin, Ireland. Despite the band's repeated requests for
moshing to stop, a seventeen-year-old fan named Bernadette O'Brien was crushed to death. The concert ended early and the following night's performance in Belfast was cancelled out of respect for her.
[36] However, while Corgan maintained that moshing’s “time [had] come and gone,” the band would continue to request open-floor concerts throughout the rest of the tour.
[37]
The band suffered a personal tragedy on the night of July 11, 1996, when touring keyboardist
Jonathan Melvoin and Chamberlin overdosed on
heroin in a hotel room in New York City. Melvoin died, and Chamberlin was arrested for drug possession. A few days later, the band announced that Chamberlin had been fired as a result of the incident.
[38] The Pumpkins chose to finish the tour, and hired drummer
Matt Walker and keyboardist
Dennis Flemion. Corgan later said the decision to continue touring was the worst the band had ever made, damaging both their music and their reputation.
Meanwhile the band had given interviews since the release of
Mellon Collie
stating that it would be the last conventional Pumpkins record,
[39] and that rock was becoming stale. James Iha said at the end of 1996, "The future is in electronic music. It really seems boring just to play rock music."
[40]
Adore
, Machina
, and breakup: 1998–2000
After the release of
Mellon Collie
, the Pumpkins contributed multiple songs to various compilations. Released in early 1997, the song “
Eye” relied almost exclusively on electronic instruments and signaled a drastic shift from the Pumpkins’ previous musical styles. At the time, Corgan stated his "idea [was] to reconfigure the focus and get away from the classic guitars-bass-drum rock format”.
[41] Later that year, the group contributed "
The End is the Beginning is the End" to the
soundtrack for the film
Batman & Robin
. With
Matt Walker on drums, the song featured a heavy sound similar to "Bullet With Butterfly Wings" while still having strong electronic influences. The song later won the
1998 Grammy for
Best Hard Rock Performance. Though Corgan announced that the song represented the sound people could expect from the band in the future,
[42] the band’s next album would feature few guitar driven songs.
Recorded following the death of Corgan's mother and his divorce, 1998's
Adore
represented a significant change of style from the Pumpkins' previous guitar-based rock, veering into electronica. The record, cut with assistance from studio drummers and drum machines, was infused with a darker aesthetic than much of the band's earlier work. The group also modified its public image, shedding its alternative hipster look for a more subdued appearance. Although
Adore
received favorable reviews and was nominated for Best Alternative Performance at the Grammy Awards, the album had only sold about 830,000 copies in the United States by the end of the year, which led the music industry to consider it a failure.
[43] The album nonetheless sold three times as many copies overseas.
The band embarked on a seventeen-date, fifteen-city charity North American tour in support of
Adore
. At each stop on the tour, the band donated 100 percent of tickets sales to a local charity organization. The tour's expenses were entirely funded out of the band's own pockets. All told, the band donated over $2.8 million to charity as a result of the tour.
[44]
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In 1999, the band surprised fans by reuniting with a rehabilitated Jimmy Chamberlin for a brief tour dubbed "The Arising", which showcased both new and classic material. The lineup was short-lived, however, as upon the completion of the album
Machina/The Machines of God
, the band announced the departure of Wretzky in September.
[45] Former
Hole bassist
Melissa Auf der Maur was recruited for the "Sacred and Profane" tour in support of the album and appeared in the videos accompanying its release. Released in 2000,
Machina
was initially promoted as the Pumpkins' return to a more traditional rock sound, after the more gothic, electronic-sounding
Adore
.
[46] The album debuted at number three on the
Billboard
charts,
[47] but quickly disappeared and as of 2007 has only been certified gold.
[48] [49] Music journalist
Jim DeRogatis, who described the album as "one of the strongest of their career", noted that the stalled sales for
Machina
in comparison to
teen pop ascendant at the time "seems like concrete proof that a new wave of young pop fans has turned a deaf ear toward alternative rock."
[50]
On May 23, 2000, in a live radio interview on
KROQ-FM (Los Angeles), Billy Corgan announced the band's decision to break up at the end of that year following additional touring and recording.
The group's final album before the break-up,
Machina II/The Friends & Enemies of Modern Music
, was released in September 2000 in a limited pressing on vinyl with permission and instructions for free redistribution on the
Internet by fans. Only twenty-five copies were cut, each of which was hand numbered and given to friends of the band along with band members themselves. The album, released under the
Constantinople Records label created by Corgan, consisted of one double LP and three ten-inch EPs.
[51] Originally, the band asked Virgin to offer
Machina II
as a free download to anyone who bought
Machina
. When the record label declined, Corgan opted to release the material independently.
[52]
On December 2, 2000, The Smashing Pumpkins played a farewell concert at The Metro, the same Chicago club where their career had effectively started twelve years earlier. The four-hour-long show featured 35 songs spanning the group's career, and attendees were given a recording of the band’s first concert at The Metro,
Live at Cabaret Metro 10-5-88
.
The single "
Untitled" was released commercially to coincide with the farewell show.
Post-breakup: 2001–2004
In 2001, the compilation
Rotten Apples
was released. The double-disc version of the album, released as a limited edition, included a B-sides/rarities collection called
Judas O
. The
Greatest Hits Video Collection
DVD was also released at the same time, which compiled all of the Pumpkins promo videos from
Gish
to
Machina
along with unreleased material.
[53] Vieuphoria
was released on DVD in 2002, as was the soundtrack album
Earphoria
, previously released solely to radio stations in 1994.
Billy Corgan and Jimmy Chamberlin reunited in 2001 as members of Corgan's next project, the short-lived
supergroup Zwan. The group's only album,
Mary Star of the Sea
, was released in 2002. After cancelling a few festival appearances, Corgan announced the demise of the band in 2003. During 2001, Corgan also toured as part of
New Order and provided vocals on their comeback album
Get Ready
. In October 2004, Corgan released his first book,
Blinking with Fists
, a collection of poetry. In June 2005, he released a solo album,
TheFutureEmbrace
, which he described as "(picking) up the thread of the as-of-yet-unfinished work of the Smashing Pumpkins".
[54] Despite this, it was greeted with generally mixed reviews and lackluster sales. Only one single, "Walking Shade", was released in support of the album.
In addition to drumming with Zwan, Jimmy Chamberlin also formed an alternative rock/
jazz fusion project band called
The Jimmy Chamberlin Complex. The group released an album in 2005 titled
Life Begins Again
. Corgan provided guest vocals on the track "Lokicat". James Iha served as a guitarist in
A Perfect Circle, appearing on their
Thirteenth Step
club tour and 2004 album,
eMOTIVe
. He has also been involved with other acts such as
Chino Moreno's
Team Sleep and
Vanessa and the O's. He continues to work with his own record label as well,
Scratchie Records. D'arcy Wretzky has not made any public statements or appearances nor given any interviews since leaving the band in 1999. On January 25, 2000, she was arrested after she allegedly purchased three bags of crack
cocaine, but after successfully completing a court-ordered drug education program, the charges were dropped.
[55]
Corgan insisted during this period that the band would not reform, although when Zwan broke up he announced, "I think my heart was in Smashing Pumpkins [...] I think it was naive of me to think that I could find something that would mean as much to me."
[56] Corgan said in 2005, "I never wanted to leave the Smashing Pumpkins. That was never the plan."
[57] On February 17, 2004, Corgan posted a message on his personal
blog calling Wretzky a "mean-spirited drug addict" and blaming Iha for the breakup of The Smashing Pumpkins.
[58] On June 3, 2004, he added that "the depth of my hurt [from Iha] is only matched with the depth of my gratitude".
[59] Iha responded to Corgan's claims in 2005, saying, "No, I didn't break up the band. The only person who could have done that is Billy."
[60]
Reunion: 2005–2009
On June 21, 2005, the day of the release of his album
TheFutureEmbrace
, Corgan took out full-page advertisements in the
Chicago Tribune
and
Chicago Sun-Times
to announce that he planned to reunite the band. "For a year now", Corgan wrote, "I have walked around with a secret, a secret I chose to keep. But now I want you to be among the first to know that I have made plans to renew and revive the Smashing Pumpkins. I want my band back, and my songs, and my dreams".
While performing at various drum clinics across Europe in September 2005, Jimmy Chamberlin confirmed that a reunion tour was planned to begin the next February, with a new album possibly to follow.
[61] In February 2006, MTV.com reported that Corgan and Chamberlin had signed a new management deal with Front Line Management, and Melissa Auf der Maur stated that the pair were currently working on an album of new material.
[62]
On April 20, 2006, the band's official website confirmed the reunion stating, "It's official. The Smashing Pumpkins are currently writing songs for their upcoming album, their first since 1999."
[63] Corgan and Chamberlin were verified as participants in the reunion, but there was question as to whether other former members of the band would participate. In April 2007, Iha and Auf der Maur separately confirmed that they were not taking part in the reunion.
[64] [65] Chamberlin would later state that Iha and Wretzky "didn't want to be a part of" the reunion.
[66] The Smashing Pumpkins performed live for the first time since 2000 on May 22, 2007, in Paris, France. There, the band unveiled new touring members
Jeff Schroeder and
Ginger Reyes, who took over second guitarist and bassist duties, respectively, as well as
Lisa Harriton on keyboards.
[67] That same month, "
Tarantula" was released as the first single from the band's forthcoming album. On July 7, the band performed at the
Live Earth concert in
New Jersey.
[68] The band's new album,
Zeitgeist
, was released that same month on
Reprise Records, entering the
Billboard
charts at number two.
[69]
The group released the four-song EP
American Gothic
in January 2008. The EP was released digitally on
iTunes in the United States, while internationally, the EP was released as a CD. On February 1, 2009, the group's new single "
FOL" was released as a free download and used in the soundtrack for a
Hyundai commercial during
Super Bowl XLIII.
[70] In a February 2008 radio interview, Corgan said the band will be playing smaller venues, with shows dedicated to particular eras of the band's music.
[71] The band is planning on releasing archival material from their entire career.
That March the group contributed the song "
Superchrist" to a compilation CD released by
Guitar Center. Though Corgan and Chamberlin have continued to record as a duo, Jeff Schroeder indicated that he might contribute to future recordings.
[72] No longer signed to a record label, Corgan and Chamberlin purchased a recording studio in Chicago and began recording in May, again as a pair.
[73] The band released a new single, "
G.L.O.W.", in September 2008. That November the group released the DVD
If All Goes Wrong
, which chronicled the group's 2007 concert residences in
Asheville, North Carolina and
San Francisco,
California. In late 2008, Corgan said the group will make no more full-length records in order to focus exclusively on singles. He told journalist
Greg Kot, "The listening patterns have changed, so why are we killing ourselves to do albums, to create balance, and do the arty track to set up the single? It's done."
[74]
Chamberlin's departure: 2009–present
In March 2009, Corgan announced on the band website that Chamberlin had left the group. Corgan also announced his intention to continue to write and record under the Smashing Pumpkins name, with plans to head into the studio in spring of that year.
[75] Chamberlin subsequently stated that his departure from the band is "a positive move forward for me. I can no longer commit all of my energy into something that I don’t fully possess. I won’t pretend I’m into something I’m not. I won’t do it to myself, you the fan, or my former partner."
[76] Chamberlin stressed that the split was amicable, commenting that "I am glad [Corgan] has chosen to continue under the name. It is his right."
[77] Corgan confirmed on the band's website in August 2009 that 19-year-old drummer Mike Byrne had replaced Chamberlin, and that the pair was working on a new album.
[78]
Musical style and influences
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The direction of the band is dominated by chief guitarist, lead vocalist, and principal songwriter Billy Corgan. Journalist Greg Kot wrote, "The music [of The Smashing Pumpkins] would not be what it is without his ambition and vision, and his famously fractured relationships with his family, friends, and bandmembers."
Melissa Auf der Maur commented upon news of the group's reunion, "Everyone knows Billy doesn't need too many people to make a Pumpkins record, other than Jimmy [Chamberlin]—who he has on board."
Many of Corgan's lyrics for the Pumpkins are cathartic expressions of emotion, full of personal musings and strong indictments of himself and those close to him.
Music critics were not often fans of Corgan's angst-filled lyrics. Jim DeRogatis wrote in a 1993
as an improvement.
involved layering numerous guitar tracks onto a song during the recording process, a tactic that
coproducer Flood called the "Pumpkin guitar overdub army".
, but Corgan said he really began to explore the possibilities of overdubbing with
; Corgan has stated that "Soma" alone contains up to 40 overdubbed guitar parts.
While Corgan knew many of the songs would be difficult or impossible to replicate from their recorded versions in concert (in fact, some songs were drastically altered for live performance), he has explained the use of overdubbing by posing the question "When you are faced with making a permanent recorded representation of a song, why not endow it with the grandest possible vision?"
as well as shoegaze, a British alternative rock style of the late 1980s and early 1990s that relied on swirling layers of guitar noise for effect.
.
Like many contemporary alternative bands, The Smashing Pumpkins utilized shifts in song dynamics, going from quiet to loud and vice versa. Hüsker Dü's seminal album
demonstrated to the band how they could place gentler material against more aggressive fare,
and Corgan made such shifts in dynamics central to the pursuit of his grand musical ambitions.
Corgan said he liked the idea of creating his own alternative universe through sound that essentially tells the listener, "Welcome to Pumpkin Land, this is what it sounds like on Planet Pumpkin."
albums (concept records that tell the story of a fictional rock band).
The Pumpkins drew inspiration from a variety of other genres, some unfashionable during the 1990s among music critics. Corgan in particular was open about his appreciation of heavy metal, citing
as his favorite contemporary guitarist.
When one interviewer commented to Corgan and Iha that "Smashing Pumpkins is one of the groups that relegitimized heavy metal" and that they "were among the first alternative rockers to mention people like
with anything other than contempt", Corgan went on to rave about Black Sabbath's
.
The song "Zero", which reminded Iha of Judas Priest, is an example of what the band dubbed "cybermetal".
were formative influences on the band, which covered such artists in concert and on record.
was also referenced often in the band's early recordings; according to Corgan, "In typical Pumpkins fashion, no one at that point really liked loud guitars or psychedelic music so, of course, that's exactly what we had to do."
Corgan acknowledged that a chord he jokingly claimed as "the Pumpkin chord" (a G#
chord at the eleventh fret of a guitar with the low E string played over it), used as the basis for "
.
.
Regarding the band's influence upon other groups, Greg Kot wrote in 2001: "Whereas Nirvana spawned countless mini-Nirvanas, the Pumpkins remain an island unto themselves."
However, many artists and bands have mentioned the Pumpkins as an influence, including
. My Chemical Romance vocalist
including the attention they pay to their music videos.
has compared his group to the Pumpkins.
, listening to it extensively while touring, and that "Once Upon a Time" "really moves" him.
Critics have found connections with the Pumpkins' sound in various Deftones albums,
.
The Smashing Pumpkins have been praised for being "responsible for some of the '90s' most striking and memorable video clips" and for having "approached videos from a completely artistic standpoint rather than mere commercials to sell albums".
, with treating music videos as an art form during the 1990s. Corgan has said, "We generally resisted the idea of what I call the classic MTV rock video, which is like lots of people jumping around and stuff."
"). Corgan, who was frequently heavily involved in the conception of the videos, said of Dayton and Faris, "I know my [initial] versions are always darker, and they're always talking me into something a little kinder and gentler."
Videos like "Today", "Rocket", and "1979" dealt with images taken from middle American culture, albeit exaggerated. The group's videos so often avoid the literal interpretation of the song lyrics that the video for "Thirty-Three", with images closely related to the words of the song, was created as an intentional stylistic departure.
during the 1990s. In 1996, the group won seven VMAs total for the "1979" and "Tonight, Tonight" videos, including the top award, Video of the Year, for "Tonight, Tonight". The video was also nominated for a Grammy at the 1997 ceremony. Fans reacted with equal fervor. Of the "Tonight, Tonight" video, Corgan remarked, "I don't think we've ever had people react [like this]... it just seemed to touch a nerve."