The Oregon Symphony
is an American orchestra based in Portland, Oregon. Founded as the Portland Symphony Society in 1896, it is the sixth oldest orchestra in the United States, and oldest in the Western United States. Its home venue is the Arlene Schnitzer Concert Hall in downtown Portland's Cultural District.
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History
Its first concert was held at the 1,700 seat Marquam Grand Theatre on
October 30,
1896, with W. H. Kinross conducting 33 performers. Included on the first program was
Joseph Haydn's
Surprise Symphony
.
By 1899 the orchestra was performing an annual concert series (with occasional lulls), and in 1902 the first tour of the state was made. Orchestra members shared ticket revenues as a cooperative, and elected their conductors in the early years.
Royal Academy of Music trained musician
Carl Denton was a major force in helping the Portland Symphony Society enter a new era. The board of directors was elected and a manager hired. Orchestra members continued to elect their conductors for the 1911/1912 season. The order of conductor and
concertmaster rotation was determined by drawing lots. Musicians were from the dance and theatre orchestras of Portland. Following fourteen rehearsals, the first concert of this new-era Portland Symphony Orchestra was held at 2:30 p.m.
November 12 1911 at the newly opened Heilig Theater at SW Broadway and Taylor street.
Mose Christensen conducted 54 performers in Dvorak's
Symphony No. 9 in E minor
and other works. Carl Denton conducted the second concert on
December 17 1911 followed by John Bayley on
January 21 1912 and Harold C. Bayley (the son of John Bayley) on
March 3 1912. Mose Christensen completed that season with the fifth concert on
April 14 1912. Harold Bayley, Carl Denton, and Mose Christensen also served as rotating concertmasters when they weren't conducting. The entire budget was made up of door receipts, which were divided equally except that the conductor received two shares. For the first concert, each musician received $1.45.
The orchestra continued to elect rotating conductors as leaders until the symphony board appointed Carl Denton as the first permanent conductor on
August 18,
1918. The orchestra began holding its concerts at
Municipal Auditorium, later renamed Civic Auditorium. Under Denton, ticket sales increased and the number of musicians were therefore increased.
Theodore Spiering, who had guest conducted the orchestra, was the next appointed conductor. Spiering was unable to begin his first season as conductor because of his untimely death in
Munich (where he was searching for new scores for the orchestra). At the suggestion of artist manager
Arthur Judson, the symphony board next appointed Dutch conductor
Willem van Hoogstraten. Hoogstraten's first concert, on
November 9 1925, included Tchaikovsky's
Symphony No. 4
, performed by 69 musicians. Some of the Dutch conductors concerts were nationally broadcast on the radio. The orchestra was now recognized as one of the fifteen largest in the nation.
The
Great Depression, threat of war and budget deficits caused suspension of operations in 1938. There was no regular symphony season between 1938-1947. There were some concerts however, some under well-known guest conductors. There was also a
WPA Portland Federal Symphony Orchestra for one season, from May 1938 through May 1939 and conducted by Leslie Hodge.
Reorganization
The orchestra was reorganized in 1947 as a permanent professional group. A well known American conductor,
Werner Janssen, was engaged for two seasons (1947-1949), followed by
James Sample (1949-1953). Guest conductors were engaged for the 1953-1955 seasons (in lieu of a regular conductor) including
Carlos Chávez,
Enrique Jordá,
Dimitri Mitropoulos Thomas Schippers,
Boris Sirpo,
Russell Stanger, and
Igor Stravinsky.
Theodore Bloomfield was one of these guest conductors, and he also became the next regular conductor (1955-1959). The Italian conductor
Piero Bellugi (1959-1961) became only the second non-American conductor since Hoogstraten. Each of these early conductors in the reorganized symphony era left after only a few years because the orchestra lacked financial backing. Bellugi also refused to return for a scheduled guest conductor engagement in the Spring of 1962 citing the programs lacked sufficient scope for his talents.
Three more American conductors followed:
Jacques Singer (1962-1972),
Lawrence Leighton Smith (1973-1980), the first conductor born in Portland to lead the orchestra, and
James DePreist (1980-2003). DePreist is now the Laureate Music Director of the Oregon Symphony. Since 2003, the Uruguayan-born
Carlos Kalmar is the orchestra's music director. In April 2008, the orchestra announced the extension of Kalmar's contract as music director to the 2012-2013 season.
[1]
During 1965-1967, the orchestra performed in a leased 1927 movie house, the Oriental Theatre at 828 SE Grand Avenue between Morrison and Belmont Streets, while the Civic Auditorium was being rebuilt. In July 1966, a $1.25 million
Ford Foundation grant was announced. In August 1967, the name was changed to the Oregon Symphony to reflect the wider scope of the orchestra. In 1970, the Oregon Symphony Pops began a longstanding relationship with their conductor
Norman Leyden who was appointed associate conductor in January 1974. Leyden, who retired in May 2004, was honored with the lifetime title laureate associate conductor. In the fall of 1970 the symphony board and musicians' union successfully negotiated the first two-year contract. The musicians, seeking better wages, joined the
International Conference of Symphony and Opera Musicians (ICSOM) in 1971.
In 1984, the orchestra went from part time to full time. Also in 1984, the orchestra moved from Civic (now Keller) Auditorium to the Arlene Schnitzer Concert Hall. The orchestra was now able to rehearse in the same space they performed their concerts. James DePreist's arrangement of the theme for
The Cosby Show
was recorded by the orchestra in May 1988 for use in the fifth season of that television program.
The first out-of-state tour outside of the Pacific Northwest was made in September 1992, to the
Hollywood Bowl at the invitation of the
Los Angeles Philharmonic.
Although there were brief lockouts by management in 1986 and 1989, in September 1996 the 86 musicians voted unanimously to strike for the first time. Money was the issue in negotiating a new contract. Five rehearsals and six concerts were canceled before a new four-year contract was negotiated before the end of September.
The orchestra's first
Grammy nomination came in 2003. Principal percussionist Niel DePonte was nominated for best instrumental soloist performance with orchestra for Oregon composer
Tomas Svoboda's "Concerto for Marimba and Orchestra", recorded by
Albany Records in January 2000.
Guest Conductors
Among those who have guest conducted the orchestra are:
Aaron Copland,
Arthur Fiedler,
Otto Klemperer,
Erich Leinsdorf,
Dimitri Mitropoulos,
Maurice Ravel,
Miklós Rózsa, and
Igor Stravinsky.
Recordings and discography
The Oregon Symphony began recording in 1987. For
Delos in that year they recorded the compact disc
Bravura
, including works by
Witold Lutoslawski,
Ottorino Respighi, and
Richard Strauss. Recordings have continued, with releases also on the
Koch and Albany labels. Sixteen compact discs were issued through 2005.
Music directors
- 1911-1917 Mose Christensen (rotating)
- 1918-1925 Carl Denton
- 1925 Theodore Spiering
- 1925-1938 Willem van Hoogstraten
- 1947-1949 Werner Janssen
- 1949-1953 James Sample
- 1955-1959 Theodore Bloomfield
- 1959-1961 Piero Bellugi
- 1962-1972 Jacques Singer
- 1973-1980 Lawrence Leighton Smith
- 1980-2003 James DePreist
- 2003-present Carlos Kalmar
Laureate conductors
- James DePreist, Laureate Music Director
- Norman Leyden, Laureate Associate Conductor
Concertmasters
- 1922-1924 Jno F.N. Colburn
- 1924-1927 Alf Keller
- 1927-1938 Ed Hurlimann
- 1947-1948 John Copin
- 1948-1949 Tibor Zelig
- 1950-1973 Hugh Ewart
- 1973-2003 Michael Foxman
- 2004-2007 Amy Schwartz Moretti
- 2007- Jun Iwasaki
References
- Oregon Symphony conductor renews contract