Lee Mack "Captain Fingers" Ritenour
is a guitarist, recording artist, composer and producer. He began his career at the age of 16 and has appeared on over 3000 sessions, recorded over 40 albums, and has charted over 30 instrumental and vocal contemporary jazz hits since 1976. [1] He is probably best known for the hit "Is It You" in 1981. Ritenour is considered to be a pioneer in the smooth jazz and jazz-funk genres of music.
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Biography
Ritenour was born
January 11 1952 in
Los Angeles,
California. He played his first session when he was 16 with
the Mamas & the Papas and given the moniker, "Captain Fingers", because of his manual dexterity on the guitar. Ritenour was a sought-after session guitarist by the mid-1970s, and won
Guitar Player
Magazine's Best Studio Guitarist twice in the 1970's. He is noted for playing his red
Gibson ES-335 and his
Gibson L5 guitars.
Lee on stage
One of his most notable influences is the pioneering jazz guitarist
Wes Montgomery among others like Joe Pass, Kenny Burrell and John Mcglaughin. His prolific career includes a
Grammy Award for the collaboration work
Harlequin
(1985), and 17 other
Grammy nominations. Ritenour also holds the distinction of having two of the promotional videos for his songs "Is It You" and "Mr. Briefcase" being played during
MTV's
first day. Ritenour has been at the top of many guitar polls throughout the world.
Throughout his career, Ritenour has experimented with different styles of music. A true fusionist, he has often incorporated elements of funk, pop, rock, blues, Brazilian and most recently with
Amparo
(2008), classical music with
jazz. In the early 1980s, Ritenour was given his own
Ibanez signature model guitar, the
LR-10. The
LR-10 was produced from 1981 to 1987. It can be heard exclusively on his album
Rit
. Currently, Ritenour plays the
Gibsons that he first played in the 1970s (the
ES-335 and
L5), and now also plays his signature Lee Ritenour Model archtop guitar made by
Gibson.
Style
Ritenour's solo career began in 1975 with the recording of his album
First Course
. Released in 1976, the album gave a strong representation of the mid-1970s L.A. Jazz/Funk sound. Critics did, however, complain that his first album was "lightweight." So Lee countered this with his strongly fusion-based follow up,
Captain Fingers
. This was followed by two more fusion efforts—
The Captain's Journey
(1978) and
Feel The Night
(1979). On these albums, Ritenour primarily used something of a rich, yet rock-oriented distorted guitar sound, coming from his
Gibson ES-335 guitar. In other instances on these albums, clean sounds were heard coming from his
Gibson L5 and classical acoustic guitars (he played his classical acoustic guitars almost exclusively on his album
Rio
in 1979). In the 1970s, Ritenour would often use effects like wah-wah, phasers, chorus, and flangers on his electric instruments. Also, during the late 1970s, Ritenour can be heard using the
360 Systems guitar synthesizer (he is pictured sitting in front of it on the back cover of his
Captain Fingers
album). He can be heard using the synthesizer on the track
Captain Fingers
(from the album with the same title), and can also be heard playing solo with the synthesizer on the song "What Do You Want?" from "The Captain's Journey."
In 1979, Ritenour "was brought in to beef up one of [
Pink Floyd's ]
The Wall
s heaviest rock numbers, 'Run Like Hell'."
[2] He also played "uncredited rhythm guitar" on "One Of My Turns".
[3]
As the 1980s began, Ritenour began to add stronger elements of pop to his music, beginning with
Rit
in 1981. For this, he kept with his distorted sound, now using his
Ibanez LR-10 signature model guitar. He continued with the pop-oriented music for two albums after
Rit
(
Rit/2
in 1982 and
Banded Together
in 1984), while releasing a slick, yet more fusion-styled,
Direct-Disk instrumental album in 1983 called
On The Line
. He also provided rhythm guitar on
Tom Browne's hit,
Funkin' for Jamaica
.
thumb
In 1985, he recorded his first album for
GRP with
Dave Grusin, entitled
Harlequin
. It featured Lee primarily on his classical acoustic guitar and also featured Brazilian singer/songwriter
Ivan Lins. Up to this point, this album along with
Rio
arguably gave the strongest representation of Lee's Brazilian influences.
The following year, 1986, Ritenour released the album
Earth Run
, which featured him using the then-newly designed
SynthAxe guitar. He used nine different guitars on the album, most notably the
SynthAxe, his
Valley Arts guitar, and his
Gibson Chet Atkins acoustic. The album also featured long-time collaborator
Phil Perry for the first time, on the track "If I'm Dreaming, Don't Wake Me" — a song also featuring
David Foster and
Maurice White. He also produced songs and played guitar on
Deniece Williams's LP
Hot on the Trail
during that same year.
Ritenour continued in a direction strongly featuring other artists in 1987, with
Portrait
. The album itself has something of a strong smooth-jazz sound, and Ritenour can be heard here playing with
The Yellowjackets,
Djavan, and
Kenny G.
In 1988, his smooth jazz-influenced Brazilian music came to the forefront with
Festival
— another album strongly featuring his work on nylon-string acoustic guitars. The following album,
Color Rit
, continued with a similar mood. He did however, change direction completely again with his straight-ahead jazz album
Stolen Moments
. Sounding similar to
Wes Montgomery, Ritenour played alongside long-time collaborator, saxophonist
Ernie Watts, pianist
Alan Broadbent, bassist
John Patitucci (playing only acoustic) and drummer
Harvey Mason. Continuing in a
Wes Montgomery mood, Ritenour paid tribute to the man himself in 1992, with his album
Wes Bound
. The album featured a number of covers of Montgomery compositions, as well as some seemingly tributary pieces from Ritenour himself.
Also seen in this decade was a 1994 collaboration album with guitarist
Larry Carlton called
Larry & Lee
.
In 1991 Lee Ritenour, together with keyboard player
Bob James, formed the Grammy-nominated contemporary jazz group
Fourplay. Lee left the hugely successful group in 1998 to continue with his own solo works. He was replaced by
Larry Carlton.
2002 saw the release of his album,
Rit's House
.
In February 2004, Ritenour completed a project looking back on his career involving musicians he has worked with throughout his career called
Overtime
.
Overtime
was recorded live in a studio in front of a small audience. It was released in early 2005, and is currently available as a singular audio CD, double-DVD set or singular HD DVD. Some of the musicians featured include
Dave Grusin,
Patrice Rushen,
Harvey Mason,
Alex Acuna,
Chris Botti,
Anthony Jackson,
Melvin Lee Davis, and
Ernie Watts, amongst many others.
His latest album, entitled
Smoke n' Mirrors
was released in late August 2006. His son Wesley is a drummer, and makes his debut appearance on the album at the age of 13. This album contains Ritenour's version of
Bill Withers' 1978 hit "
Lovely Day".
Ritenour joined the 9th annual
Independent Music Awards judging panel to assist independent musicians' careers.
[4]
[5]
[6] He was also a judge for the 8th Independent Music Awards.
[7]
Discography
Albums
Date
| Title
| Label
|
1976
| First Course
| Epic #EK 46114
|
1977
| Lee Ritenour and His Gentle Thoughts
| JVC #VDJ-1001
|
1977
| Captain Fingers
| Epic #PE 34426
|
1977
| Sugar Loaf Express
| JVC #JIMI-2008-2
|
1978
| Friendship
(Different from 1979 release)
| Jasrac #VDJ-1003
|
1978
| The Captain's Journey
| Elektra #6E-136
|
1979
| Rio
| GRP Records #GRD-9524
|
1979
| Feel the Night
| Discovery #71010
|
1979
| Friendship (Japan)
(Currently reissued with The Captain’s Journey
on Wounded Bird Records)
| Jasrac #VACZ-1032
|
1980
| The Best of Lee Ritenour
| Epic #EK 36527
|
1981
| Rit
| Discovery #71013
|
1982
| Rit 2
| Discovery #71017
|
1982
| Dave Grusin and the N.Y. /L.A. Dream Band
, with Dave Grusin
| GRP Records #A 1001 & GRD 9501, JVC #28022
|
1983
| On The Line
(This version differs in some takes to the 1985 GRP Release, and is available reissued with Rio
on Wounded Bird Records), with Dave Grusin
| GRP Records #GRD-9525
|
1984
| Banded Together
| Discovery #71018
|
1985
| Harlequin
, with Dave Grusin
| GRP Records #GRD-9522
|
1985
| GRP Live in Session
, with Dave Grusin
| GRP Records #A-1023 & #GRD 9032
|
1986
| Earth Run
| GRP Records #GRP-D-9538
|
1987
| Portrait
| GRP Records #GRD-9553
|
1988
| Festival
| GRP Records #GRD-9570
|
1990
| Color Rit
| GRP Records #GRD-9594
|
1990
| Stolen Moments
| GRP Records #GRD-9615
|
1991
| Collection
| GRP Records #GRD-9645
|
1991
| Fourplay, Fourplay
| Warner Bros. #26656-2
|
1993
| Wes Bound
| GRP Records #GRD-9697
|
1991
| Fourplay, Between The Sheets
| Warner Bros. #45340-2
|
1995
| Larry & Lee
, with Larry Carlton
| GRP Records #GRD-9817
|
1995
| Fourplay, Elixir
| Warner Bros. #WPCR-293
|
1997
| Alive In L.A.
| GRP Records #GRD-9882
|
1997
| A Twist of Jobim
| I.E. Music #314 533 893-2
|
1997
| Fourplay, Best Of Fourplay
| Warner Bros. #9 46661-2
|
1998
| This Is Love
| i.e. Music #314 557 290-2
|
1999
| Two Worlds
, with Dave Grusin
| Decca #012 157 960-2
|
2001
| A Twist Of Marley
| GRP Records #UCCR-1003
|
2002
| Rit's House
| GRP Records #VERF 01197-2
|
2003
| The Very Best Of Lee Ritenour
| GRP Records #314-589-281-2
|
2003
| The Best Of Lee Ritenour
| Sony Music Entertainment Inc #EK 85795
|
2003
| A Twist of Motown
| GRP Records #B0000115-02
|
2005
| Overtime
| Peak Records #PKD-8531-2
|
2005
| World Of Brazil
| GRP Records #B0004926-02
|
2006
| Smoke N Mirrors
| Peak Records #PKD-30018-2
|
2008
| Amparo
, with Dave Grusin
| Decca Records #UCCU-1192
|
References
- www.leeritenour.com
- Comfortably Numb: The Inside Story Of Pink Floyd by Mark Blake, page 270
- The Complete Guide To The Music Of Pink Floyd by Andy Mabbett, page 80
- Independent Music Awards
- MicControl
- Top40-Charts.com
- Independent Music Awards - 8th Annual IMA Judges