William "Bootsy" Collins
(born October 26, 1951 in Cincinnati, Ohio) is a funk bassist, singer, and songwriter.
Rising to prominence with James Brown in the late 1960s, and with Parliament-Funkadelic in the '70s, Collins's driving bass guitar and humorous vocals established him as one of the leading names in funk. [1] Collins is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
|
BOOTSY COLLINS TICKETS
|
Biography
1960s-1970s
With his older brother
Catfish Collins, and
Kash Waddy and
Philippé Wynne, Collins formed a group called
The Pacesetters in 1968.
In March 1970, after most of the members of James Brown's band quit over a pay dispute, The Pacesetters were hired as Brown's backing band and they became known as
The J.B.'s. (They are often referred to as the "original" J.B.'s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original J.B.'s played on some of Brown's most intense funk recordings, including "
Get Up (I Feel Like Being a) Sex Machine", "
Super Bad", "
Soul Power", and "
Talkin' Loud and Sayin' Nothing".
It is known that the young Bootsy clashed several times with the rigid system Brown used to discipline the young band whenever he felt they stepped out of line. After leaving the band Collins then moved to
Detroit, following the advice of singer and future
Parliament member
Mallia Franklin.
House Guests, P-Funk, Rubber Band and Sweat Band
After parting ways with James Brown, Bootsy returned to Cincinnati and formed
House Guests with his brother
Phelps Collins, Rufus Allen, Clayton "Chicken" Gunnels, Frank Waddy, Ronnie Greenaway and Robert McCullough. The House Guests released two singles on the House Guests label as well as a third as The Sound of Vision on the House Guess label.
Franklin introduced both Collins brothers to
George Clinton, and 1972 saw both of the Collins brothers, along with Waddy, join
Funkadelic. Bootsy played bass on most of Funkadelic and Parliament's early albums, garnering several songwriting credits as well.
In 1976 Bootsy, Catfish, Waddy, Joel Johnson, Gary "Mudbone" Cooper, Robert Johnson and
The Horny Horns formed
Bootsy's Rubber Band, a separate touring unit of Clinton's P-Funk collective. The group recorded four albums together, the first three of which are often considered to be among the quintessential P-Funk recordings. The group's 1978 album "
Bootsy? Player of the Year" reached the top of the R&B album chart and spawned the #1 R&B single "
Bootzilla".
Like Clinton, Bootsy took on several
alter egos, from "Casper the Funky Ghost" to Bootzilla, "the world's only rhinestone rockstar monster of a doll", as part of an evolving character, an alien rock star who grew gradually more bizarre as time went on (see
P-Funk mythology). He also adopted his trademark space bass around this time.
Bootsy also released a 1980 album,
Sweat Band
, on George Clinton's Uncle Jam label with a group billed as Bootsy's Sweat Band.
1980s and later
In 1984, Bootsy collaborated with
Jerry Harrison of
Talking Heads to produce "Five Minutes", a dance record sampled and edited from
Ronald Reagan's infamous "
Five Minutes" speech. The record was credited to "Bonzo goes to Washington" (also referenced in the 1985
Ramones song "
Bonzo goes to Bitburg", derived from Reagan's starring role as Professor Peter Boyd in the 1951 comedy film
Bedtime for Bonzo
).
In 1990 Bootsy collaborated with
Deee-Lite on their massive hit "
Groove Is In The Heart" where he contributed additional vocals. Although he also appeared in the music video playing the bass, the bassline in the song is actually a sample of a Herbie Hancock song called "Bring Down the Birds". Bootsy's Rubber Band became the defacto backing musicians for Deee-Lite during a world tour.
Bootsy collaborated with bluegrass legends
Del McCoury,
Doc Watson and
Mac Wiseman to form the
GrooveGrass Boyz. They produced a fusion of
bluegrass and funk that listeners either loved as a fresh take on tradition or hated as defiling that same tradition.
In 1995, Bootsy played in the remake of Jimi Hendrix's "If 6 was 9" for Axiom Funk, a funkadelic like one off super group produced by Bill Laswell and featuring the (funkadelic members) George Clinton, Bernie Worrell, Bootsy Collins, (the guitar of the late) Eddie Hazel, Gary Shider and Bill Laswell . The group released only one album and the song also appeared in the soundtrack of the movie Stealing Beauty.
Bootsy has collaborated extensively with
Bill Laswell and made appearances on two
Fatboy Slim records, as well as reading a poem at the end of
FatBoy Slims's release in the
LateNightTales dj mix series. Bootsy provided "vocal spice" on the
TobyMac album
Welcome to Diverse City
. He also appears on Nicole C. Mullens' latest album, "Everyday People". He has also worked with the Lo-Fidelity Allstars on the album 'Don't be Afraid of Love', with
Praxis, and with
Buckethead on several occasions, for example on Buckethead's first album, "Bucketheadland". Bootsy was featured in the 2002 film
Standing in the Shadows of Motown
. In 2004 he appeared on Snoop Dogg's
Rhythm & Gangsta album and on the cover of "
The Joker" on the Fatboy Slim album
Palookaville
.
[2]
In 2005, Bootsy Collins added vocals to fellow bassist
Victor Wooten's album Soul Circus. He also served as "Heineken's Amsterjam 2005" curator and master of ceremonies on
Randall's Island, New York and appeared with
Madonna,
Iggy Pop,
Little Richard, and
The Roots'
Questlove, in an American TV commercial for the
Motorola ROKR phone.
Collins' signature instrument is a custom-built
star-shaped bass guitar he calls the "Space Bass". Currently built for him by of GuitarCraft in 1998. More recently, Collins has made an agreement with
Traben to make a signature Bootsy Collins model bass called the "Bootzilla".
In
October, 2005, Collins co-wrote a song celebrating the resurgence of his hometown team, the
Cincinnati Bengals of the
National Football League called
"Fear Da Tiger"
which features "raps" written and performed by several Bengals players, including
defensive end Duane Clemons, offensive tackle Stacy Andrews, and center Ben Wilkerson. An edited version of the song was made into a
music video which features cameos by many other Bengals players. It has garnered tremendous local airplay and is viewable on Additionally,
Cincinnati Bell is offering
"Fear Da Tiger"
as a free
ringtone for its wireless customers in both
polyphonic and
MP3 formats. Collins appeared with Little Richard,
Bernie Worrell, and other notable musicians as the band playing with
Hank Williams, Jr. for the
Monday Night Football
opening during for the 2006 season. Collins was the only all star to return with Williams for the 2007 season.
He also sings "Marshal Law", the theme song of the Cincinnati Marshals indoor football team. He debuted the song on April 29, at halftime of a Marshals home game against the West Palm Beach Phantoms.
In 2006,
ABC Entertainment /
A Charly Films Release released a DVD/CD from Bootsy Collins and the New Rubber Band's concert at the 1998
North Sea Jazz Festival. In the same year, Collins split from long-time friend and guitarist Odhran "The Bodhran" Rameriz, citing creative differences as the reason.
Also in 2006, Collins recorded music for the
animated television series
Loonatics Unleashed
. Collins also voiced the character Bootes Belinda in the episode The Music Villain.
[3]
In April, 2007, Bootsy announced plans to begin a restaurant/club with Cincinnati area restaurateur Jeff Ruby. The restaurant is to be called "Bootsy's." It will feature live musical acts, a museum dedicated to Bootsy's musical career and Spanish, Central and South American cuisine. It is to open in December 2008.
In June 2007, Bootsy Collins, along with
Phelps Collins,
Clyde Stubblefield, John "Jabo" Starks, and
Bernie Worrell, participated in the recording of the soundtrack for the movie
Superbad
.
In July 2007, Bootsy also told Billboard magazine that he's working on a project by the name of
Science Faxtion and an album called
Living On Another Frequency in which he serves as bassist and co-producer along with his lead vocalist
Greg Hampton. The band also features guitarist Buckethead and drummer
Brain.
[4] The album was released in November 2008.
[5]
Collins promoted
Rock the Vote for its 2008 campaign together with Buckethead.
[6]
Bootsy produced
Junkyard Waltz
by funk band
Freekbass from Ohio came out October 27.
Bootsy has been mentioned in the song "
Genius of Love" by
Tom Tom Club in the line "Clinton's musicians such as Bootsy Collins raise expectation to a new intention", while "Got more bass than Bootsy Collins" is a line in the song "Rumble in the Jungle" by
the Fugees. His influence in popular culture is seen in that he has been referenced by a number of television series. In
The Fresh Prince of Bel-Air
episode "Sooooooul Train", Geoffrey sneaks into the
Soul Train
tapings posing as Bootsy Collins, while in the
The Mighty Boosh
episode "
The Legend of Old Gregg" an alien creature named 'The Funk' lands on Bootsy's house, giving him his ability to play the
bass guitar "like some kinda delirious funky priest", as well as the ability to see around corners. His song
I'd Rather Be With You
was featured in the movie
Baby Boy and on January 26, 2007, Bootsy, a native of Cincinnati, gave the commencement address at the graduation ceremony at .
Red Hot Chili Peppers bassist
Flea, who cited Collins as one of his primary influences, appeared in unmistakably Bootsy-esque clothing in the video for RHCP's "
Dani California", and Bootsy's "What's a Telephone Bill?" was sampled for
2Pac's "Str8 Ballin'" track off the THUG LIFE album..
In 2009 Collins collaborated with
Talib Kweli and
Hi-Tek on the track "Internet Connection".
[7]
Bass technique
Collins' bass playing is driving, rhythmic and groovy, and has been very influential in the development of funk. His characteristic juicy sound, produced by
envelope filters (for example the
Mutron), is one of his distinguishing traits as a bass player.
He also uses highly
syncopated 16th note patterns combined with a very strong
slap technique, highly influenced by
Larry Graham.
Bootsy's bass patterns are often up-front in the mix and more often than not, drive the song (rather than the guitars or horns).
Discography
1976
| Bootsy's Rubber Band
| Stretchin' Out in Bootsy's Rubber Band
| Warner Bros. Records
|
1977
| Bootsy's Rubber Band
| Ahh... The Name Is Bootsy, Baby!
| Warner Bros. Records
|
1978
| Bootsy's Rubber Band
| Bootsy? Player of the Year
| Warner Bros. Records
|
1979
| Bootsy's Rubber Band
| This Boot is Made for Fonk-N
| Warner Bros. Records
|
1980
| Bootsy Collins
| Ultra Wave
| Warner Bros. Records
|
1980
| Sweat Band
| Sweat Band (album)
| Sweat Band
|
1982
| Bootsy Collins
| The One Giveth, the Count Taketh Away
| Warner Bros. Records
|
1988
| Bootsy Collins
| What's Bootsy Doin'?
| Columbia Records
|
1990
| Bootsy's Rubber Band
| Jungle Bass
| 4th & Broadway
|
1992
| Praxis
| Transmutation (Mutatis Mutandis)
| Axiom_(record_label)
|
1994
| Bootsy's New Rubber Band
| Blasters of the Universe
| Rykodisc
|
1994
| Zillatron
| Lord of the Harvest
| Rykodisc
|
1994
| Praxis
| Sacrifist
| Subharmonic
|
1995
| Bootsy's New Rubber Band
| Keepin' Dah Funk Alive 4-1995
| Rykodisc
|
1997
| Bootsy Collins
| Fresh Outta 'P' University
| Warner Bros. Records
|
1998
| Bootsy's Rubber Band
| Live in Louisville 1978
| Disky
|
2001
| Bootsy's Rubber Band
| Live in Oklahoma 1976
| Funk To The Max
|
2002
| Bootsy Collins
| Play With Bootsy
| Warner Bros. Records
|
2006
| Bootsy's New Rubber Band
| Live In Concert 1998
| ABC Entertainment / A Charly Films Release
|
2006
| Bootsy Collins
| Christmas Is 4 Ever
| Shout Factory
|
2008
| Science Faxtion
| Living on Another Frequency
| Mascot Records
|
References
- allmusic ((( Stretchin' Out in Bootsy's Rubber Band > Overview )))
- Fatboy Slim — Album: Palookaville
- Bootsy Collins interview
- [1]
- [1]
- http://www.blog.rockthevote.com/labels/Buckethead.html
- http://www.youtube.com/watch?v=Rla0zZyWTjY