Bobby Bare
(born Robert Joseph Bare
on April 7, 1935 in Ironton, Ohio) is an American country music singer and songwriter. He is the father of Bobby Bare, Jr., also a musician.
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BOBBY BARE TICKETS
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Early career
Bare had many failed attempts to sell his songs in the 1950s. He finally signed with
Capitol Records and recorded a few
rock and roll songs without much chart success. Just before he was drafted into the
Army, he wrote a song called "The All American Boy" and did a demo for his friend, Bill Parsons, to learn and record. Instead of using the version Bill Parsons did later, the record company,
Fraternity Records, decided to use the original demo done by Bobby Bare. The record reached number 2 on the
Billboard Hot 100, but they made an error: the singles' labels all credited the artist as being "Bill Parsons."
[1] [2]
Career at RCA (1962–1970)
Bare's big break in
country music came when
RCA Records'
Chet Atkins signed him. The first song he released on the label was "Shame On Me" in 1962. His second RCA release, "
Detroit City," was his first top-ten Country single, reaching number six.
[2] It also hit number 16 on the pop charts.
[1]Then a surge of hits followed, including "
500 Miles Away from Home" (based on a traditional folk ballad written by
Hedy West as "500 Miles")
[1] and
Ian Tyson's "
Four Strong Winds." He also recorded with
Skeeter Davis,
Norma Jean and
Liz Anderson. In 1968, he recorded an album with a group from England called The Hillsiders
[6]. . In 1969, he had a Top 5 hit with
Tom T. Hall's "
(Margie's At) The Lincoln Park Inn".
[2]
Career at Mercury (1970–1972)
Bare moved to
Mercury Records in 1970 and immediately scored a Top 3 hit with "How I Got To Memphis" and had two Top 10 hits from early
Kris Kristofferson compositions, "Come Sundown" (1971) and "Please Don't Tell Me How The Story Ends," (1971).
[2] He also scored a #12 hit in 1972 with a version of
Dr. Hook and the Medicine Show's pop hit "
Sylvia's Mother", written by
Shel Silverstein.
Second Career at RCA (1973–1977)
After a couple of years at Mercury, Bobby returned to
RCA Records in 1973 and scored with
Billy Joe Shaver's "Ride Me Down Easy" which nearly made the Top 10.
Bobby Bare started to release
novelty songs recorded live with selected audiences. One such song, "
Marie Laveau," reached the number one position on the country chart in 1974; it was his only number one hit. This song was co-written by his friends
Shel Silverstein and
Baxter Taylor, who received a BMI Award for the song in 1975.
Silverstein penned other songs for Bare including a Grammy-nominated hit, "Daddy What If," which he recorded with his five year old son,
Bobby Bare, Jr. The song was an immediate success as well not only reaching #2 on the country charts but nearly reaching the Top 40 on the Pop charts. Bare's album, "Lullabyes, Legends and Lies" became his most commercially successful album and Bobby had a new audience with pop radio once again playing his songs and a new following with college kids. These two songs, however, would become Bobby's last Top 10 hits. Bare later recorded a very successful album with his family, written mainly by Silverstein, called "Singin' in The Kitchen." It was nominated for best group category in Grammy Awards, but was declined by Bobby himself. He continued to record critically acclaimed albums and singles. His biggest hits during this time included "Alimony" (1975), "The Winner" (1976), and "Drop Kick Me Jesus (Through The Goalposts Of Life)" (the world's only
Christian-
football waltz, and a 1976 Grammy nominee). In 1977 he recorded "Redneck Hippie Romance" and "Vegas" (a duet with his wife Jeannie).
Concept albums were nothing new for Bobby, In 1967, Bare came up with a
concept album called "Bird Named Yesterday," which was very successful. His most successful concept album is "Lullabyes, Legends and Lies". He also is the first to be given full control of his work and thus the very first Outlaw.
Career at Columbia Records (1978–1983)
Bobby signed with
Columbia Records and continued to have hits like "Sleep Tight Good Night Man" a near Top 10 in 1978 and releasing critically acclaimed albums like "Bare" and "Sleeper Wherever I Fall". In 1979, he started off
Rosanne Cash's career in a big way by singing a duet with her called "No Memories Hangin' Round" which went Top 20 for them. In 1980, he scored a near Top 10 with "Numbers" which came from his album "Down and Dirty" where Bare started to experiment with
Southern rock and continued this with his next album "Drunk and Crazy". In 1981, Bobby released an album entitled "As Is" which was produced by
Rodney Crowell and returned Bobby back to his country roots with songs like "New Cut Road". Bare was still doing well chartwise into the early 1980s. In 1983, he released a Top 30 duet with
Lacy J. Dalton called "It's A Dirty Job". His last trip into the Top 30 came that summer with the novelty song "The Jogger".
Film career
Bobby Bare was also given an opportunity to star in the movies. He acted in a
Western with
Troy Donahue,
A Distant Trumpet
, and a few episodes of the TV series
No Time for Sergeants
. He turned his back on
Hollywood to pursue his career in
country music.
Later career in country music and today
From 1983 to 1988, Bobby hosted
Bobby Bare and Friends
on
The Nashville Network which featured Bobby interviewing songwriters who sang their hit songs on the show.
In 1985, Bobby signed with
EMI America Records where he scored 3 charted singles, but none of these reached the upper regions of the charts.
In 1998, he formed the band,
Old Dogs, with his friends
Jerry Reed,
Mel Tillis and
Waylon Jennings.
In nearly 50 years of making music, Bobby has made many firsts in country music. Bare is credited for introducing
Waylon Jennings to
RCA. He is also one of the first to record from many well- known song writers such as
Jack Clement,
Harlan Howard,
Billy Joe Shaver,
Mickey Newbury,
Tom T. Hall,
Shel Silverstein,
Baxter Taylor and
Kris Kristofferson. In 2006, he recorded a new album after over 20 years, called
The Moon Was Blue
, produced by his son
Bobby Bare, Jr., who is also a musician. He continues to tour today.
Discography
Albums
Year
| Album
| Chart Positions
| Label
|
US Country
| US
|
1963
| "Detroit City" And Other Hits
| 9
| 119
| RCA Victor
|
500 Miles Away from Home
| 9
| 133
|
1964
| The Travelin' Bare
| 14
| —
|
1965
| Tunes for Two
(w/ Skeeter Davis)
| 8
| —
|
Constant Sorrow
| —
| —
|
1966
| The Best of Bobby Bare
| —
| —
|
Talk Me Some Sense
| 6
| —
|
The Streets of Baltimore
| 7
| —
|
This I Believe
| 17
| —
|
1967
| The Game of Triangles
(w/ Norma Jean & Liz Anderson)
| 16
| —
|
A Bird Named Yesterday
| 20
| —
|
The English Country Side
(w/ The Hillsliders)
| 29
| —
|
1968
| The Best of Bobby Bare - Volume 2
| 33
| —
|
1969
| (Margie's At) The Lincoln Park Inn (And Other Controversial Country Songs)
| 39
| —
|
1970
| Your Husband My Wife
(w/ Skeeter Davis)
| —
| —
|
Real Thing
| —
| —
|
This Is Bare Country
| 37
| —
| Mercury
|
1971
| Where Have All the Seasons Gone
| 44
| —
|
I Need Some Good News Bad
| —
| —
|
1972
| What Am I Gonna Do?
| 19
| —
|
High and Dry
| —
| —
|
1973
| I Hate Goodbyes / Ride Me Down Easy
| 31
| —
| RCA Victor
|
Bobby Bare Sings Lullabies, Legends and Lies
| 5
| —
|
1974
| Singin' in the Kitchen
(Bobby Bare and Family)
| 27
| —
|
1975
| Hard Time Hungrys
| 33
| —
|
Cowboys and Daddys
| 21
| —
|
1976
| The Winner and Other Losers
| 18
| —
|
1977
| Me and McDill
| 27
| —
|
1978
| Bare
| 44
| —
| Columbia
|
Sleep Wherever I Fall
| —
| —
|
1980
| Down & Dirty
| 21
| —
|
Drunk & Crazy
| 47
| —
|
1981
| As Is
| 43
| —
|
1982
| Ain't Got Nothin' to Lose
| 29
| —
|
1983
| Drinkin' from the Bottle
| —
| —
|
Singles
Year
| Single
| Chart Positions
| Album
|
US Country
| US
| US AC
|
1959
| "The All-American Boy" (as Bill Parsons)
| —
| 2
| —
| Detroit City
|
1962
| "Shame on Me"
| 18
| 23
| —
|
1963
| "Detroit City"
| 6
| 16
| 4
|
"500 Miles Away from Home"
| 5
| 10
| 4
| 500 Miles Away From Home
|
1964
| "Miller's Cave"
| 4
| 33
| —
| The Best of Bobby Bare
|
"I Have Stayed Away Too Long"
| 47
| 94
| —
| single only
|
"Four Strong Winds"
| 3
| 60
| —
| The Best of Bobby Bare
|
1965
| "A Dear John Letter" (with Skeeter Davis)
| 11
| —
| —
| Tunes for Two
|
"Times Are Gettin' Hard"
| 30
| —
| —
| Constant Sorrow
|
"It's All Right"
| 7
| —
| —
|
"Just to Satisfy You"
| 31
| —
| —
|
"Talk Me Some Sense"
| 26
| —
| —
| Talk Me Some Sense
|
1966
| "In the Same Old Way"
| 34
| —
| —
| single only
|
"Streets of Baltimore"
| 5
| —
| —
| Streets of Baltimore
|
"The Game of Triangles" (with Liz Anderson and Norma Jean)
| 5
| —
| —
| The Game of Triangles
|
"Homesick"
| 38
| —
| —
|
1967
| "Charlestown Railroad Tavern"
| 16
| —
| —
| The Best of Bobby Bare Vol. 2
|
"Come Kiss Me Love"
| 14
| —
| —
|
1968
| "Find Out What's Happening" (with The Hillsiders)
| 15
| —
| —
| English Country Side
|
"Little Bit Later on Down the Line"
| 14
| —
| —
| Talk Me Some Sense
|
"Town That Broke My Heart"
| 16
| —
| —
| single only
|
1969
| "(Margie's At) The Lincoln Park Inn"
| 4
| —
| —
| Margie's at the Lincoln Park Inn
|
"Which One Will It Be"
| 19
| —
| —
| single only
|
"God Bless America Again"
| 16
| —
| —
| This Is Bobby Bare
|
1970
| "Your Husband, My Wife" (with Skeeter Davis)
| 22
| —
| —
| Your Husband, My Wife
|
"That's How I Got to Memphis"
| 3
| —
| —
| This Is Bare Country
|
"Come Sundown"
| 7
| —
| —
|
1971
| "Please Don't Tell Me How the Story Ends"
| 8
| —
| —
| Where Have All the Seasons Gone
|
"Short and Sweet"
| 57
| —
| —
| I Need Some Good News Bad
|
1972
| "What Am I Gonna Do"
| 13
| —
| —
| What Am I Gonna Do
|
"Sylvia's Mother"
| 12
| —
| —
|
1973
| "I Hate Goodbyes"
| 25
| —
| —
| I Hate Goodbyes/Ride Me Down Easy
|
"Ride Me Down Easy"
| 11
| —
| —
|
"You Know Who"
| 30
| —
| —
|
1974
| "Daddy, What If" (with Bobby Bare Jr.)
| 2
| 41
| —
| Lullabyes, Legends and Lies
|
"Marie Laveau"
| 1
| —
| —
|
1975
| "Singin' in the Kitchen" (with His Family)
| 29
| —
| —
| Singin' in the Kitchen
|
"Back in Huntsville Again"
| 23
| —
| —
| Hard Time Hungries
|
"Alimony"
| 18
| —
| —
|
"Cowboys and Daddys"
| 29
| —
| —
| Cowboys and Daddys
|
1976
| "The Winner"
| 13
| —
| —
| The Winner and Other Losers
|
"Put a Little Lovin' on Me"
| 23
| —
| —
|
"Drop Kick Me Jesus"
| 17
| —
| —
|
1977
| "Vegas" (with Jeannie Bare)
| 30
| —
| —
| The Essential Bobby Bare
|
"Look Who I'm Cheatin' on Tonight"
| 21
| —
| —
| Me and McDill
|
1978
| "Sleep Tight Good Night Man"
| 11
| —
| —
| Bare
|
1979
| "No Memories Hangin' Round" (with Roseanne Cash)
| 17
| —
| —
| Bobby Bare: The Columbia Years
|
1980
| "Numbers"
| 11
| —
| —
| Down and Dirty
|
1982
| "New Cut Road"
| 18
| —
| —
| As Is
|
1983
| "It's a Dirty Job" (with Lacy J. Dalton)
| 30
| —
| —
| Bobby Bare: The Columbia Years
|
"The Jogger"
| 29
| —
| —
| Drinkin' from the Bottle
|
References
- Whitburn, Joel (2000). ''The Billboard Book of Top 40 Hits'', p.49. ISBN 0-8230-7690-3.
- Whitburn, Joel (1996). ''The Billboard Book of Top 40 Country Hits'', p.38-39. ISBN 0-8230-7632-6.
- Whitburn, Joel (1996). ''The Billboard Book of Top 40 Country Hits'', p.38-39. ISBN 0-8230-7632-6.
- Whitburn, Joel (2000). ''The Billboard Book of Top 40 Hits'', p.49. ISBN 0-8230-7690-3.
- Whitburn, Joel (2000). ''The Billboard Book of Top 40 Hits'', p.49. ISBN 0-8230-7690-3.
- The English Countryside, RCA Victor SF-7918 (LSP-3896)
- Whitburn, Joel (1996). ''The Billboard Book of Top 40 Country Hits'', p.38-39. ISBN 0-8230-7632-6.
- Whitburn, Joel (1996). ''The Billboard Book of Top 40 Country Hits'', p.38-39. ISBN 0-8230-7632-6.