Alfred Brendel KBE
(born January 5, 1931) is an Austrian pianist, born in Czechoslovakia and a resident of the United Kingdom. He is also a poet and author of the surreal.
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Biography
Brendel was born in Vízmberk,
Czechoslovakia, now
Loucná nad Desnou,
Czech Republic, to a non-musical family. They moved to
Zagreb when Brendel was six, and later to
Graz, where they lived during
World War II, towards the end of which the 14-year old Brendel was sent to
Yugoslavia to dig trenches. However, he developed
frostbite and was taken to hospital. Throughout his childhood, Brendel had occasional
piano lessons, but otherwise little formal music education.
After the war, Brendel
composed music, as well as continuing to play the piano and to
paint. However, he never had more formal piano lessons and although he attended masterclasses with
Edwin Fischer and
Eduard Steuermann, he was largely self-taught.
Brendel gave his first public recital in Graz at the age of 17.
[1] He called it "The Fugue In Piano Literature", and as well as
fugal works by
Johann Sebastian Bach,
Johannes Brahms and
Franz Liszt, it included some of Brendel's own compositions. However, he gave up composing shortly after this to concentrate on the piano. In 1949 he won 4th prize in the
Ferruccio Busoni Piano Competition in
Bolzano,
Italy and moved to
Vienna the following year. At the age of 21, he made his first record,
Sergei Prokofiev's
Piano Concerto No. 5
. He went on to make a string of other records, including three complete sets of the
Ludwig van Beethoven piano sonatas (one on
Vox Records and two on
Philips Records). He was the first performer to record the complete solo piano works of Beethoven.
He has also recorded works by Liszt, Brahms (including Brahms' Concertos),
Robert Schumann and
Franz Schubert. Unlike virtually all classical pianists, he has recorded very little Chopin other than the Polonaises. An important collection of Alfred Brendel is the complete Mozart Piano Concertos recorded with Sir Neville Marriner and the Academy of Saint Martin in the Fields which is included in the Phillips 180 CD complete Mozart Edition.
Brendel recorded extensively for the Vox label, providing them his first of three sets of the complete Beethoven sonatas. He did not secure a major recording contract until the 1970s, nor did he play much outside
Austria. His breakthrough came after a recital of Beethoven at the
Queen Elizabeth Hall in
London, the day after which three major record labels called his agent. Around this time he moved to
Hampstead, London, where he still resides.
Since the 1970s, Brendel has recorded for
Philips Classics Records.
[2]
Brendel has been married twice. His first marriage, from 1960 to 1972, was to Iris Heymann-Gonzala, and they had a daughter, Doris. In 1975, Brendel married Irene Semler, and the couple have three children; a son, Adrian, who is a cellist, and two daughters, Katharina and Sophie.
[3]
Work
Brendel is regarded as one of the most thoughtful interpreters of classical Germanic works by such composers as
Beethoven,
Schubert and
Mozart. He plays relatively few 20th century works, but is closely associated with
Arnold Schoenberg's
Piano Concerto
. In recent years, however, he has stopped playing many of the most physically demanding pieces in the repertoire, such as the
Hammerklavier Sonata
of Beethoven, owing to problems with
arthritis.
Critical reaction to Brendel’s playing has been mixed. While he has been lauded by Michael Steinberg as “the new
Schnabel”, critic
Harold C. Schonberg noted that some critics and specialists accused the pianist of “pedanticism.”
[4]. Brendel's playing is sometimes described as being "cerebral"
[5], and he has said that he believes the primary job of the pianist is to respect the composer's wishes without showing off himself, or adding his own spin on the music:
"I am responsible to the composer, and particularly to the piece".
As well as his former mentor and teacher,
Edwin Fischer, he cites
Alfred Cortot,
Wilhelm Kempff, and the
conductors
Bruno Walter and
Wilhelm Furtwängler as particular influences.
In recent years, Brendel has worked with younger pianists such as
Paul Lewis,
Mark Gasser,
Roberto Carnevale,
Andrew von Oeyen and
Till Fellner. He has also performed in concert and recorded with his son Adrian.
[6]
In November 2007, Brendel announced that he would retire from the concert platform after his concert of 18 December 2008 in Vienna, which featured him as soloist in Mozart's
Piano Concerto No. 9 in E flat.
[7]
Publications
Brendel is also a published poet and author.
[8] His books include:
- Musical Thoughts and Afterthoughts
(Essays) (1976)
- Music Sounded Out
(1990)
- One Finger Too Many
(Poetry) (1998)
- Alfred Brendel on Music
(collected essays) (2001)
- Me, of All People: Alfred Brendel in Conversation with Martin Meyer
(2002) (UK edition: The Veil of Order
)
- Cursing Bagels
(Poetry) (2004)
Awards
- KBE (1989)
- Sonning Award (2002; Denmark)
References
- "Brendel, Alfred", ''Grove Music Online'', 2007. Accessed June 3, 2007.
- Alfred Brendel, A Personal 75th Birthday Selection
- Keeper of the flame
- The Great Pianists from Mozart to the Present, Harold C. Schonberg, Simon & Schuster, Second Edition, 1987, ISBN 0671638378
- Alfred Brendel (Snape Maltings Concert Hall, Suffolk)
- Adrian and Alfred Brendel (Wigmore Hall, London)
- Alfred Brendel, piano maestro, calls time on concert career
- Hymns, Pianos and Laughing Angels