Al Stewart
(born Alastair Ian Stewart
, 5 September 1945 in Glasgow) is a British singer-songwriter and folk-rock musician.
Stewart came to stardom as part of the legendary British folk revival in the sixties and seventies, and developed his own unique style of combining folk-rock songs with delicately woven tales of the great characters and events from history. [1]
He is best known for his hit 1976 single "Year of the Cat" from the platinum album Year of the Cat
.
Though Year of the Cat
and its 1978 platinum follow-up Time Passages
brought Stewart his biggest worldwide commercial successes, earlier albums such as Past, Present and Future
from 1973 are often seen as better examples of his intimate brand of historical folk-rock - a style he has returned to in recent albums. [2]
Stewart was a key figure in a fertile era in British music and he appears throughout the musical folklore of the age. He played at the first ever Glastonbury Festival in 1970, knew Yoko Ono pre-Lennon, shared a London apartment with a young Paul Simon, and hosted at the legendary Les Cousins folk club in London in the 1960s. [3]
Stewart has released nineteen studio albums between Bedsitter Images
in 1967 and Sparks of Ancient Light
in 2008, and continues to tour extensively around the US and Canada, Europe and the UK. In 2009, he will release "Uncorked - Al Stewart Live with Dave Nachmanoff" on his independent label, Wallaby Trails Recordings. [4]
He has worked with Alan Parsons, Jimmy Page, Tori Amos and Tim Renwick and currently plays with Dave Nachmanoff and former Wings lead-guitarist Laurence Juber.
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Early life
Stewart grew up in the town of
Wimborne Minster,
Dorset,
England after moving from
Scotland with his mother. After that, as he sings in the song "Post World War II Blues" (from
Past, Present and Future
):
"I came up to London when I was 19 with a corduroy jacket and a head full of dreams."
Having bought his first guitar from future
Police guitarist
Andy Summers, Stewart traded in his electric guitar for an acoustic guitar when he was offered a weekly slot at
Bunjies Coffee House in London's
Soho in 1965. From there, he went on to compere at the legendary
Les Cousins folk club on
Greek Street, where he played alongside
Cat Stevens,
Bert Jansch,
Van Morrison,
Roy Harper and
Ralph McTell.
It was at this time that Stewart also met a young
Yoko Ono, who persuaded him to part with the only £100 he had in the world to put towards her film entitled
No 4
, a compilation of naked bottoms.
Career
Stewart's first record was the single "The Elf" (backed with a
version of the
Yardbirds' "Turn into Earth"), which was released in 1966 on
Decca Records, and included guitar work from
Jimmy Page (later of the Yardbirds and
Led Zeppelin), the first of many leading guitarists Stewart worked with, including
Richard Thompson,
Tim Renwick and
Peter White. Stewart then signed to
Columbia Records (CBS in the UK), for whom he released six albums. Though the first four of these attracted relatively little commercial interest, Stewart's popularity and cult-following grew steadily through albums that contain some of Stewart's most incisive and introspective
songwriting.
Early albums
Stewart's debut album
Bed-Sitter Images
was released on LP in 1967; a revised version appeared in 1970 as
The First Album (Bed-Sitter Images)
with a few tracks changed, and the album was reissued on
CD in 2007 by Collectors' Choice Music with all the songs from both versions.
Love Chronicles
(1969) was notable for the 18-minute title track, an anguished
autobiographical tale of sexual encounters that was the first mainstream record release ever to include the word "fucking".
[5]
It was voted "Folk Album of the Year" by the UK music
magazine,
Melody Maker
, and also features Jimmy Page on guitar.
His third album,
Zero She Flies
followed in 1970 and included a number of shorter songs which ranged from acoustic ballads and instrumentals to songs that featured electric lead guitar. These first three albums (including
The Elf
) were later released as the two CD set
To Whom it May Concern: 1966–70
.
In 1970, Stewart jumped in a car with fellow musician
Ian Anderson and headed to the small town of
Pilton in
Somerset. Here, at
Michael Eavis's
Worthy Farm, Stewart performed at the first ever
Glastonbury festival to a field of 1,000 hippies who had paid just £1 each to be there.
On the back of his growing success, Stewart released
Orange
in 1972. It was written after a tumultuous break-up with his girlfriend and muse, Mandi, and was very much a transitional album, combining songs in Stewart's confessional style with more intimations of the historical themes that he would increasingly adopt (e.g. "The News from Spain", with its
prog-rock overtones, including dramatic piano by
Rick Wakeman).
The fifth release,
Past, Present and Future
(1973), was Stewart's first album to receive a proper release in the
United States, via
Janus Records. It echoed a traditional historical storytelling style and contained the song "Nostradamus," a long (9:43) track in which Stewart tied into the re-discovery of the
claimed seer's writings by referring to selected possible predictions about twentieth century people and events. While too long for mainstream
radio airplay at that time, the song became a
hit on many U.S. college/university
radio stations, which were flexible about running times.
Such airplay helped the album to reach #133 on the
Billboard album chart in the US. Other songs on
Past, Present and Future
characterized by Stewart's 'history genre' mentioned American President
Warren Harding,
World War II,
Ernst Röhm,
Christine Keeler,
Louis Mountbatten, and
Stalin's purges.
The Alan Parsons years
Stewart followed
Past, Present and Future
with
Modern Times
(1975), in which the songs were lighter on historical references and more of a return to the theme of short stories set to music. Significantly, though, it was the first of his albums to be produced by
Alan Parsons, and
Allmusic regard it as his best. While it failed to produce any hit singles, it received substantial airplay on album oriented stations and reached #30 in the US, some 30 years before
Bob Dylan would release an album of the
same name.
Stewart's contract with
CBS Records expired at this point and he signed to
RCA Records for the world outside North America. His first two albums for RCA,
Year of the Cat
(released on Janus in the U.S., then reissued by
Arista Records after Janus folded) and
Time Passages
(released in the U.S. on Arista), set the style for his later work, and have certainly been his biggest-selling recordings.
[6]
As Stewart told
Kaya Burgess of
The Times: "When I finished
Year of the Cat
, I thought: ‘If this isn’t a hit, then I can’t make a hit.’ We finally got the formula exactly right."
Both albums reached the top ten in the US, with "Year of the Cat" peaking at #5 and "Time Passages" at #10, and both title songs became top ten singles in the US ("Year of the Cat" #8, and "Time Passages" #7). Meanwhile "Year of the Cat" became Stewart's first chart single in England, where it peaked at #31. The overwhelming success of these songs, both of which still receive substantial radio airplay on classic-rock/pop format radio stations, has perhaps later overshadowed the depth and range of Stewart's body of songwriting.
[7] Stewart himself has frequently expressed disappointment with the quality of his recordings during this era, commercial success notwithstanding.
The 1980s
Stewart then released
24 Carrots
(#37 US 1980) and his first
live album Live/Indian Summer
(#110 US 1981), with both featuring backing by
Peter White's band Shot in the Dark (who released their own unsuccessful album in 1981). While "24 Carrots" did produce a #24 single with "Midnight Rocks," the album sold less well than its two immediate predecessors.
After those releases, Stewart was dropped by Arista and his popularity declined. Still, despite his lower profile and waning commercial success, he would continue to tour and record albums. There was a four year gap between his next two albums
Russians and Americans
(1984) (which was highly political) and the upbeat pop-orientated
Last Days of the Century
(1988), which appeared on smaller labels and had lower sales.
The 1990s
Stewart followed up with his second live album, the acoustic
Rhymes in Rooms
(1992), which featured only himself and
Peter White, and
Famous Last Words
(1993), which was dedicated to the memory of the late Peter Wood (famous for co-writing "Year of the Cat"), who died the year of its release.
Stewart followed these up with a concept album, with
Between the Wars
(1995), covering major historical and cultural events from 1918 to 1939, such as the
Versailles Treaty,
Prohibition, the
Spanish Civil War, and the
Great Depression.
In 1995, Stewart was invited to play at the 25h anniversary
Glastonbury festival, taking to the same stage he had graced in 1970 at the first ever festival.
Stewart bade farewell to the 20th century with
Down in the Cellar
in 2000, a concept album themed on wine. Stewart had begun a love-affair with wine in the 1970s when, he admitted, he had more money than he knew how to spend, and so turned to fine wines.
21st century Al
With the arrival of a new century, Stewart has returned to his inimitable brand of historical folk-rock. In 2005 he released
A Beach Full of Shells
, which was set in exotic places from
First World War England to the 1950s
rock'n'roll scene that influenced him.
In 2008, he released
Sparks of Ancient Light
produced, like his previous album, by
Laurence Juber. Here he weaves tales of
William McKinley,
Lord Salisbury and
Hanno the Navigator, without losing any of the wit and crispness of delivery that made him famous.
Stewart and guitarist
Dave Nachmanoff will release a live album,
Uncorked: Al Stewart Live with Dave Nachmanoff
on Stewart's label, Wallaby Trails Recordings, in 2009.
[8]
Residence
Born in
Scotland, raised in
Dorset and propelled to fame in
London, Stewart moved to Los Angeles in the 1970s. He married in the mid-90s, and he, his wife and their two daughters moved to Marin County.
Historical references
Stewart's historical work includes songs such as:
- "Fields of France", from the album Last Days of the Century
, about World War I pilots
- "Old Admirals", from Past, Present, and Future
, inspired by Admiral Sir John Fisher of the World War I Royal Navy
- "Roads to Moscow", from Past, Present, and Future
, about the Wehrmacht's invasion of the Soviet Union in World War II, with references to both Wehrmacht General Heinz Guderian and also to the German Tiger tank.
- "On the Border", from Year of the Cat
, refers both to the basque separatists in France and to the crisis in the former republic of Rhodesia
- "In Red Square", from Seemed Like a Good Idea at the Time
, about the Soviet Union
- "Sirens of Titan", from Modern Times
, a musical precis of Kurt Vonnegut's novel of the same title
- "Lord Grenville", from Year of the Cat
, about English sailor Sir Richard Grenville
- "The Palace of Versailles", from Time Passages
, about the French Revolution
- "Charlotte Corday", from Famous Last Words
, about the assassin of Jean-Paul Marat.
- "Running Man", from "24 Carrots", about Nazi war criminals hiding in South America.
- "Warren Harding", from Past, Present and Future
, about the scandals of the foreshortened Harding administration.
On occasions Stewart has set
poems to music, such as "My Enemies Have Sweet Voices" (lyrics by the poet
Pete Morgan) on the 1970 album
Zero She Flies
. During his 1999 UK tour, Stewart invited Morgan to read the lyrics as he performed this song in the
Leeds City Varieties Theatre show of 7 November 1999.
Discography
Albums
- Bed-Sitter Images
(1967)
- Love Chronicles
(1969)
- Zero She Flies
(1970)
- Orange
(1972)
- Past, Present and Future
(1973) #133 U.S.
- Modern Times
(1975) #30 U.S.
- Year of the Cat
(1976) #5 U.S. (RIAA: Platinum) (BPI: Gold)
- Time Passages
(1978) #10 U.S. (RIAA: Platinum) (BPI: Silver)
- 24 Carrots
(1980) (with Shot In The Dark) #37 U.S.
- Live/Indian Summer
(1981) (with Shot In The Dark) #110 U.S.
- Russians and Americans
(1984)
- Last Days of the Century
(1988)
- Rhymes in Rooms
(1992)
- Famous Last Words
(1993)
- Between the Wars
(1995) (with Laurence Juber)
- Seemed Like a Good Idea at the Time
(1996) (limited distribution) [9]
- The Tzar, His Library & The Winter Palace
(1999) (double album, limited distribution) [10]
- Down in the Cellar
(2000)
- A Beach Full of Shells
(2005)
- Sparks of Ancient Light
(2008)
Singles
- Year of the Cat (1976, #8)
- On the Border (1977, #42)
- Time Passages (1978, #7)
- Song on the Radio (1979, #29)
- Midnight Rocks (1980, #24)
- Don't Forget me (1993) [11]
Stewart has also released many
compilations, which mainly feature his radio hits and some of his more unknown songs.
References
- The British Folk Revival, 1944–2002
- Al Stewart: Heady concert to engage history in singer’s lyrics
- Al Stewart, the return of the cat
- ''Al Stewart'' at Appleseed Recordings
- The Subcultures Reader
- "Al Stewart's passing time very well after 'Time Passages'", St. Petersburg Times, January 11, 1979, retrieved from Google News Archive
- "Living in the Past", Miami New Times, October 12, 1995
- Breaking news from Dave Nachmanoff and Al Stewart, July 23, 2009 (retrieved July 24, 2009)
- Alstewart.com
- famousfolk.com
- {{allmusic|10:hifpxztjldfe|Don't Forget Me}}