Afrika Bambaataa
is an American DJ from the South Bronx, who was instrumental in the early development of hip hop throughout the 1980s. [1] Afrika Bambaataa is one of the three originators of break-beat deejaying [2], and is respectfully known as the "Grandfather" and "Godfather" and The Amen Ra of Universal Hip Hop Culture as well as The Father of The Electro Funk Sound. Through his co-opting of the street gang the Black Spades into the music and culture-oriented Universal Zulu Nation, he is responsible for spreading hip hop culture throughout the world. [3] Like many of the early pioneers in hip hop, he is of Caribbean descent. [4] On September 27, 2007, he was nominated for induction into the Rock and Roll Hall of Fame. [5]
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AFRIKA BAMBAATAA TICKETS
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History
Afrika Bambaataa grew up in one of the 15-story towers of the Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movements of the era, and witnessed debates between his mother and uncle regarding the conflicting ideologies of the movements. Importantly, he was also exposed to his mother's extensive and eclectic record collection.
Due to the official policy of benign neglect in regards to the Bronx in the 1970's, people joined gangs for safety reasons. The gangs became the law in the absence of law, clearing their turf of drug dealers, assisting with community health programs and both fighting and partying to keep members and turf.
Bambaataa was a founding member of the Bronx River Projects-area
street gang The Savage Seven. Due to the explosive growth of the gang, it later became known as the
Black Spades, and Bambaataa quickly rose to the position of warlord. It was his job as warlord to build ranks and expand the turf of the Black Spades. Bambaataa was not afraid to cross turfs to forge relationships with other gang members, and with other gangs. As a result, the Spades became the biggest gang in the city in terms of both membership and turf.
After Bambaataa won an essay contest that earned him a trip to
Africa, his worldview shifted. He had seen the movie "
Shaka Zulu" and had been impressed with the solidarity exhibited by the Zulu in that film. During his trip to Africa, the communities he visited inspired him to stop the violence and create a community in his own neighborhood.
He changed his name to
Afrika Bambaataa Aasim
, adopting the name of the Zulu chief
Bhambatha, who led an armed rebellion against unfair economic practices in early 20th century
South Africa that can be seen as a precursor to the anti-
apartheid movement. He told people that his name was Zulu for "affectionate leader".
A young Afrika Bambaataa began to think about how he could turn his turf-building skills to peacemaking. In 1971, he formed the "Bronx River Organization" as an alternative to the Black Spades.
Inspired by
DJ Kool Herc and Kool DJ Dee, he too began hosting hip hop parties. He vowed to use hip hop to draw angry kids out of gangs and formed the Universal Zulu Nation
[6] Bambaataa is credited with naming hip-hop. "Hip hop" was a common phrase used by MCs as part of a scat-inspired style of rhyming, and Bambaataa appropriated it for use in describing the emerging culture, which included the four elements: the music of DJs, the lyricism and poetry of emcees, the dancing of b-boys and b-girls, and graffiti art.
[7]
During 1982, Afrika Bambaataa and his followers, a group of dancers, artists and DJs, went outside the United States on the first hip hop tour.
Bambataa saw that the hip hop tours would be the key to help expand hip hop and his Universal Zulu Nation. In addition it would help promote the values of hip hop that he believed are based on peace, unity, love, and having fun. Bambaataa brought peace to the gangs as many artists and gang members say that "hip hop saved a lot of lives".
[8] His influence inspired many overseas artists like the
French rapper MC Solaar.
He was a popular DJ in South Bronx rap scene and became known not only as Afrika Bambaataa but also as the "Master of Records."
He established two rap crews: the
Jazzy 5 including MCs Master Ice, Mr. Freeze, Master Bee, Master D.E.E, and AJ Les, and the second crew referred to as
Soulsonic Force including Mr. Biggs, Pow Wow and Emcee G.L.O.B.E.
[9]
In that same year Bambaataa and Soulsonic Force dropped the live band to go high-tech. He was provided an eerie keyboard hook by German
electronic group
Kraftwerk and was provided an electronic "beat-box" by producer
Arthur Baker and synthesizer player
John Robie. That resulted in a pop hit "Planet Rock", which went to gold status and generated an entire school of "electro-boogie" rap and dance music. Bambaataa formed his own label to release the Time Zone Compilation. He created "
turntablism" as its own subgenre and the ratification of "electronica" as an industry-certified trend in the late '90s. Bambaataa established a name to be recognized not only inside the hip-hop community but outside as well.
Birth of the Zulu Nation
Bambaataa decided to use his leadership skills to turn those involved in the gang life into something more positive to the community. This decision began the development of what later became known as the
Universal Zulu Nation, a group of socially and politically aware rappers,
B-boys,
graffiti artists and other people involved in
hip hop culture.
By 1977, inspired by
DJ Kool Herc and
DJ Dee and after
Disco King Mario loaned him his first equipment, Bambaataa began organizing
block parties all around the South Bronx. He even faced his long time friend, Disco King Mario in a DJ battle. He then began performing at Stevenson High School and formed the Bronx River Organization, then later simply "The Organization". Bambaataa had deejayed with his own sound system at the Bronx River Community Center, with Mr. Biggs, Queen Kenya, and Cowboy, who accompanied him in performances in the community. Because of his prior status in the Black Spades, he already had an established Army party crowd drawn from former members of the gang. Hip hop culture was spreading through the streets via house parties, block parties, gym dances and mix tapes.
[10]
About a year later Bambaataa reformed the group, calling it the Zulu Nation (inspired by his wide studies on African history at the time). Five b-boys (
break dancers) joined him, whom he called the Zulu Kings, and later formed the Zulu Queens, and the Shaka Zulu Kings and Queens. As he continued deejaying, more DJs, rappers, b-boys, b-girls, graffiti writers, and artists followed him, and he took them under his wing and made them all members of his Zulu Nation. He was also the founder of the Soulsonic Force, which originally consisted of approximately twenty Zulu Nation members: Mr. Biggs, Queen Kenya, DJ Cowboy Soulsonic Force (#2), Pow Wow, G.L.0.B.E. (creator of the "MC popping" rap style),
DJ Jazzy Jay, Cosmic Force, Queen Lisa Lee, Prince Ikey C, Ice Ice (#1), Chubby Chub;
Jazzy Five-DJ Jazzy Jay, Mr. Freeze, Master D.E.E., Kool DJ Red Alert, Sundance, Ice Ice (#2), Charlie Choo, Master Bee, Busy Bee Starski, Akbar (Lil Starski), and Raheim. The personnel for the Soulsonic Force were groups within groups with whom he would perform and make records.
In 1980, Bambaataa's groups made their first recording with
Paul Winley Records titled, "Death Mix". According to Bambaata, this was an unauthorized release.
Winley recorded two versions of Soulsonic Force's landmark single, "Zulu Nation Throwdown", with authorization from the musicians. Disappointed with the results of the single, Bambaataa left the company.
The Zulu Nation was the first hip-hop organization, with an official birth date of November 12, 1973.
[11] Bambaataa's plan with the Universal Zulu Nation was to build a youth movement out of the creativity of a new generation of outcast youths with an authentic, liberating worldview.
Recognition
In 1982, hip hop artist
Fab Five Freddy was putting together music packages in the largely white downtown
Manhattan New Wave clubs, and invited Bambaataa to perform at one of them, the
Mudd Club. It was the first time Bam had performed before a predominantly white crowd. Attendance for Bambaataa's parties downtown became so large that he had to move to larger venues, first to the Ritz, with Malcolm McLaren's group
Bow Wow Wow (and where the
Rock Steady Crew b-boys became part of the Zulu Nation), then to the
Peppermint Lounge, The Jefferson, Negril,
Danceteria, and the
Roxy. "
Planet Rock", a popular single, came out that June under the name Afrika Bambaataa and the
Soulsonic Force. The song borrowed musical motifs from German
electro-pop, funk, and rock. Different elements and musical styles were used together. The song became an immediate hit and stormed the music charts worldwide
. The song melded the main melody from
Kraftwerk's "
Trans-Europe Express" with electronic beats based on their track "Numbers" as well as portions from records by
Babe Ruth and
Captain Sky [12] - thus creating a new style of music altogether,
electro funk. It influenced many styles of
electronic and
dance music, e.g.
freestyle music,
house music and
techno music.
Bambaataa organized the very first European hip hop tour. Along with himself were rapper and graffiti artist
Rammellzee, Zulu Nation DJ
Grand Mixer DXT (formerly Grand Mixer D.St), B-boy and B-girl crews the
Rock Steady Crew, and the Double Dutch Girls, as well as legendary graffiti artists
Fab 5 Freddy,
PHASE 2,
Futura 2000, and
Dondi.
Bambaataa's second release around 1983 was "
Looking for the Perfect Beat," then later, "
Renegades of Funk," both with the same Soulsonic Force. He began working with producer Bill Laswell at Jean Karakos's
Celluloid Records, where he developed and placed two groups on the label: "Time Zone" and "Shango". He recorded "Wildstyle" with
Time Zone, and he recorded a collaboration with punk-rocker
John Lydon and Time Zone in 1984, titled "World Destruction". Shango's album Shango Funk Theology was released by the label in 1984. That same year, Bambaataa and other hip hop celebrities appeared in the movie
Beat Street. He also made a landmark recording with
James Brown, titled "
Unity." It was billed in music industry circles as "the Godfather of Soul meets the Godfather of Hip Hop."
Around October 1985, Bambaataa and other music stars worked on the anti-apartheid album
Sun City
with
Little Steven Van Zandt,
Joey Ramone,
Run-D.M.C.,
Lou Reed,
U2, and others. During 1988, he recorded another landmark piece as "Afrika Bambaataa and Family" on
Capitol Records, titled The Light
[13], featuring
Nona Hendryx,
UB40,
Boy George,
George Clinton,
Bootsy Collins, and
Yellowman. Bambaataa had recorded a few other works with Family three years earlier, one titled "Funk You" in 1985, and the other titled "Beware (The Funk Is Everywhere)" in 1986. Bambaataa was involved in the Stop the Violence Movement, and with other hip hop artists recorded a 12" single titled "Self Destruction", which hit number one on the Hot Rap Singles Chart in March of 1989. The single went gold and raised $400,000 for the National Urban League to be used for community anti-violence education programs.
In 1990, Bambaataa made
Life
magazine's "Most Important Americans of the 20th Century" issue. He was also involved in the anti-apartheid work "Hip Hop Artists Against Apartheid" for Warlock Records. He teamed with the
Jungle Brothers to record the album "
Return to Planet Rock (The Second Coming)
".
Gee street Records, John Baker, and Bambaataa organized a concert at
Wembley Stadium in London in 1990 for the
African National Congress (ANC), in honor of
Nelson Mandela's release from prison. The concert brought together performances by British and American rappers, and also introduced both Nelson and
Winnie Mandela and the ANC to hip hop audiences. In relation to the event, the recording Ndodemnyama (Free South Africa) helped raise approximately $30,000 for the ANC. Bambaataa also helped to raise funds for the organization in Italy.
From the mid-1990s, Bambaataa returned to his electro roots, collaborating with
WestBam (who was named after him) which culminated in the 2004 album
Dark Matter Moving at the Speed of Light
which featured
Gary Numan and many others. In 2000,
Rage Against the Machine covered Afrika's song "Renegades of Funk" for their album
Renegades
. In that same year, Afrika Bambaataa collaborated with
Leftfield on the song "
Afrika Shox", the first single from
Leftfield's
Rhythm and Stealth
. "Afrika Shox" is also popularly known from the soundtrack to
Vanilla Sky
. In 2006, he was featured on the
British singer
Jamelia's album
Walk With Me
on a song called "Do Me Right", and on
Mekon's album
Some Thing Came Up
, on the track "D-Funktional". Bambaataa has also performed the lyrics on the track "Is There Anybody Out There" by The Bassheads. As an actor, he has played a variety of both hilarious and serious
voice-over character roles in the international television series known around the world as
Kung Faux [14] from
Dubtitled Entertainment
and Tommy Boy Films
[15].
Bambaataa was also a judge for the 6th annual
Independent Music Awards to support independent artists' careers.
[16]
On
September 27,
2007, it was announced that Afrika Bambaataa was one of the nine nominees for the 2008 Rock and Roll Hall of Fame Inductions.
[17]
On December 22, 2007, he made a surprise appearance performing at the
First Annual Tribute Fit For the King of King Records, Mr. Dynamite James Brown
in Covington, KY. As of Summer 2008, he was featured as part of the Rock the Bells 2008 tour, dj-ing on the second stage on select dates.
Discography
Albums
| Year
| Album
| Label
|
| 1983
| Death Mix
| Paul Winley Records
|
| 1985
| Sun City
| EMI
|
| 1986
| Planet Rock: The Album
| Tommy Boy Records
|
| 1986
| Beware (The Funk Is Everywhere)
| Tommy Boy Records
|
| 1987
| Death Mix Throwdown
| Blatant
|
| 1988
| The Light
| EMI America Records
|
| 1991
| The Decade of Darkness 1990-2000
| EMI Records USA
|
| 1992
| Don't Stop... Planet Rock (The Remix EP)
| Tommy Boy Records
|
| 1996
| Jazzin
(Khayan album)
| ZYX Music
|
| 1996
| Lost Generation
| Hottie
|
| 1996
| Warlocks and Witches, Computer Chips, Microchips and You
| Profile Records
|
| 1997
| Zulu Groove
(Compilation)
| Hudson Vandam
|
| 1999
| Electro Funk Breakdown
| DMC
|
| 1999
| Return to Planet Rock
| Berger Music
|
| 2000
| Hydraulic Funk
| Strictly Hype
|
| 2000
| Theme of the United Nations w/ DJ Yutaka
| Avex Trax
|
| 2001
| Electro Funk Breakdown
(Compilation)
| DMX
|
| 2001
| Looking for the Perfect Beat: 1980-1985
(Compilation)
| Tommy Boy Records
|
| 2004
| Dark Matter Moving at the Speed of Light
| Tommy Boy Records
|
| 2005
| Metal
| Tommy Boy Records
|
| 2005
| Metal Remixes
| Tommy Boy Records
|
| 2006
| Death Mix "2"
| Paul Winley Records
|
Singles
| Year
| Title
| Label
|
| 1981
| "Zulu Nation Throwdown"
| Winley Records
|
| 1981
| "Jazzy Sensation"
| Tommy Boy Records
|
| 1982
| "Planet Rock"
| Tommy Boy Records
|
| 1982
| "Looking for the Perfect Beat"
| Tommy Boy Records
|
| 1983
| "Renegades of Funk"
| Tommy Boy Records
|
| 1983
| "Wildstyle"
| Celluloid Records
|
| 1984
| "Unity" (with James Brown)
| Tommy Boy Records
|
| 1986
| "Bambaataa's Theme"
| Tommy Boy Records
|
| 1984
| "World Destruction"
| Atlantic Records
|
| 1988
| "Reckless" (with UB40)
| EMI
|
| 1993
| "Zulu War Chant"
| Profile Records
|
| 1993
| "What's the Name of this Nation?...Zulu"
| Profile Records
|
| 1993
| "Feeling Irie"
| DFC
|
| 1994
| "Pupunanny"
| DFC
|
| 1994
| "Feel the Vibe" (with Khayan)
|
| 1998
| "Agharta - The City of Shamballa" (with WestBam)
| Low Spirit Recordings
|
References
- Chang, Jeff. ''Can't Stop, Won't Stop: A History of the Hip-Hop Generation'', pp 63, 89, 91, 94-101, 141, 170, 182-183.
- Modulations: A History of Electronic Music, Peter Shapiro, ed. New York: Caipirnha Productions Inc., 2000, p. 152
- Welcome to The Official site of The Universal Zulu Nation
- George, Nelson. ''Hip Hop America'', pp 16, 18, 57.
- [1]Remix Magazine
- Chang, Jeff. "It's a Hip-hop World." Foreign Policy 163, Nov/Dec 2007, 58-65.
- Chang, Jeff (editor). ''Total Chaos: The Art and Aesthetics of Hip Hop'', "Physical Graffiti: the History of Hip Hop Dance," contributor Jorge "Popmaster Fabel" Pabon, p19.
- Chang, Jeff. "It's a Hip-Hop World." Foreign Policy 163, Nov/Dec 2007, 58-65.
- Afrika Bambaataa: Biography : Rolling Stone
- Forman, Murray. ''The Hood Comes First: Race, Space, and Place in Rap and Hip Hop'', p 69
- [1], Documentary Hip Hop Legends.
- Global Darkness The Beat Box Bites Back - Face Magazine 1984
- http://www.discogs.com/release/111884 Afrika Bambaataa & Family - The Light
- kungfauxsite
- Tommy Boy Films - Tommy Boy
- Independent Music Awards - 6th Annual Judges
- Future Rock Hall - the 2008 Rock and Roll Hall of Fame Nominees