Allah Rakha Rahman
(Tamil: ?.???.???????; born January 6, 1966 as A. S. Dileep Kumar
(?????? ??????) in Chennai, Tamil Nadu, India) is an Indian film composer, record producer, musician and singer. His film scoring career began in the early 1990s. He has won thirteen Filmfare Awards, four National Film Awards, a BAFTA Award, a Golden Globe and two Academy Awards. [1]
Working in India's various film industries, international cinema and theatre, by 2003, Rahman, in a career spanning over a decade, has sold more than 100 million records of his film scores and soundtracks worldwide, [2] and sold over 200 million cassettes, [3] making him one of the world's all-time top selling recording artists.
Time
magazine has referred to him as the "Mozart of Madras" and several Tamil commentators have coined him the nickname Isai Puyal
(Tamil: ????? ?????; English: Music Storm
). [4] In 2009, the magazine placed Rahman in the Time 100 list of 'World's Most Influential People'. [5]
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A.R. RAHMAN TICKETS
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Early life and influences
A. R. Rahman was born in a musically affluent
Tamil family. His father
R. K. Shekhar, was a Chennai based composer and conductor for
Malayalam films. Rahman lost his father at a young age and his family rented out musical equipment as a source of income. He was raised by his mother Kareema (Kashturi). During these formative years, Rahman served as a keyboard player and an arranger in bands such as "Roots", with childhood friend and percussionist
Sivamani, John Anthony, Suresh Peters, JoJo and Raja.
[6] Rahman is the founder of the Chennai-based rock group, "Nemesis Avenue".
[7] He played the keyboard and
piano, the
synthesizer, the
harmonium and the
guitar. His curiosity in the synthesizer, in particular increased because, he says, it was the “ideal combination of music and technology".
[8] He began early training in music under Master Dhanraj. At the age of 11, he joined, as a keyboardist, the troupe of
Ilaiyaraaja,
one of many composers to whom musical instruments belonging to Rahman's father were rented. Rahman later played in the
orchestra of
M. S. Viswanathan and
Ramesh Naidu, accompanied
Zakir Hussain,
Kunnakudi Vaidyanathan and
L. Shankar on world tours and obtained a scholarship to the
Trinity College of Music where he graduated with a degree in
Western classical music.
[9]
Career
Film scoring and soundtracks
In 1992, Rahman began his own music recording and mixing studio attached to the backyard of his house called the
Panchathan Record Inn, which was developed into India's most advanced recording studio.
[10] He initially composed music jingles for advertisements,
Indian Television channels and music scores in documentaries, among other projects. In 1992, he was approached by film director
Mani Ratnam to compose the score and soundtrack for Ratnam's Tamil film
Roja
.
The debut led Rahman to receive the
Rajat Kamal award for Best Music Director at the
National Film Awards, the first time ever by a first-time film composer.
Roja
s score met with high sales and acclaim, in its original and dubbed versions, bringing about a marked change in
film music at the time, and Rahman followed that success up with his work on the music for
Kadhalan, including samples of various music styles such as rap.
He also produced music scores for
Tamil–language films of the
Chennai film industry including Ratnam's politically charged
Bombay
, the urbanite
Kadhalan
,
Bharathiraaja's
Karuththamma,
the saxophonic
Duet,
Indira,
and the romantic comedies
Mr. Romeo
and
Love Birds,
which gained him considerable notice.
[11] [12] His fanbase in
Japan increased with
Muthu
's success there.
[13] His soundtracks gained him recognition in the Tamil Nadu film industry and across the world for his stylistic versatality in his pieces including in
Western classical, Carnatic, Tamil traditional/folk,
jazz,
reggae and
rock music.
[14] [15] [16]
Rahman has since then gone on to win the award three more times (for his scores for
Minsaara Kanavu
(
Electric Dreams
, Tamil) in 1997,
Lagaan
(
Tax
, Hindi) in 2002,
Kannathil Muthamittal
(
A Peck on the Cheek
, Tamil) in 2003, the most ever by any composer.
[17]
The
Bombay Theme—from Ratnam's
Bombay
—would later reappear in
Deepa Mehta's
Fire
and various compilations and media.
Rangeela
, directed by
Ram Gopal Varma, marked Rahman's debut for
Hindi-language films made in the
Mumbai film industry. Many successful scores for films including
Dil Se
and the percussive
Taal
followed.
[18] [19] Sufi mysticism would form the basis of
Chaiyya Chaiyya from the former and the composition "
Zikr" from his score of the film
Netaji Subhas Chandra Bose: The Forgotten Hero
for which he created large orchestral and choral arrangements.
[20] Musical cues in scores for
Sangamam
and
Iruvar
employed Carnatic vocals and instruments such as the veena with leads of rock guitar and jazz.
[21] In the 2000s Rahman created hit scores for
Rajiv Menon's
Kandukondain Kandukondain,
Alaipayuthey,
Ashutosh Gowariker's
Swades
and
Rang De Basanti
.
[22] He composed songs with Hindustani motifs for
Water
(2005).
Rahman has worked with Indian poets and lyricists such as
Javed Akhtar,
Gulzar,
Mehboob,
Vairamuthu and
Vaali. His collaborations with some film directors have always resulted in successful soundtracks, particularly with the director Mani Ratnam
whom he has worked with since Roja
, all of which have been hits, and the director
S. Shankar in the films
Gentleman
,
Kadhalan
,
Indian
,
Jeans
,
Mudhalvan
,
Nayak
,
Boys
and
Sivaji
.
[23]
Rahman attached and opened a developed extension studio to his Panchathan Record Inn in 2005 called
AM Studios in Kodambakkam, Chennai — considered to be the most developed, equipped and high tech studio in Asia.
[24] [25] In 2006, Rahman launched his own music label, KM Music.
[26] Its first release was his score to the film
Sillunu Oru Kaadhal.
Rahman scored the
Mandarin language picture
Warriors of Heaven and Earth
in 2003 after researching and utilizing
Chinese and
Japanese classical music, and co-scored the
Shekhar Kapoor helmed
Elizabeth: The Golden Age
in 2007. His compositions have been reused in scores within India
[27] and have made appearances in
Inside Man
,
Lord of War
,
Divine Intervention
and
The Accidental Husband.
In 2008, he scored the
Slumdog Millionaire
soundtrack, for which he won a Golden Globe and two Academy Awards, becoming the first Indian citizen to do so.
Other works
Rahman has been involved in several
projects aside from film. He made an album
Vande Mataram
(1997) on India's 50th anniversary of independence to commercial success.
[28] [29] He followed it up with an album for the
Bharat Bala–directed video
Jana Gana Mana
, a conglomeration of performances by many leading exponents/artists of
Indian classical music. Rahman has written jingles for ads and composed several orchestrations for athletic events, T.V. and internet media publications, documentaries and
short films.
In 1999 Rahman, along with choreographers
Shobhana and
Prabhu Deva Sundaram and a Tamil cinema dancing troupe performed with
Michael Jackson in
Munich,
Germany, for his "Michael Jackson and Friends Concert." In 2002, he composed his maiden stage production
Bombay Dreams
(2002) following a commission from
musical theatre composer
Andrew Lloyd Webber, a success in
London's
West End. With
Finnish folk music band
Värttinä, he wrote the music for
The Lord of the Rings
theatre production and in 2004, Rahman composed the piece "Raga's Dance" for
Vanessa-Mae's album
Choreography
.
In the last six years, Rahman has performed three successful world
tours of his concerts to audiences in
Singapore,
Australia,
Malaysia,
Dubai,
UK,
Canada, the
US (
Hollywood Bowl and 3d tour) and
India.
He has been collaborating with
Karen David for her upcoming studio album. A two-disc soundtrack,
Introducing A. R. Rahman
(2006) featuring 25 pieces he composed from his
Tamil film scores was released in May 2006. His non-film album,
Connections
was launched on 12 December, 2008.
Music style and impact
Skilled in
Carnatic music,
[30] Western classical,
Hindustani music and the
Qawwali style of
Nusrat Fateh Ali Khan, Rahman has been noted to write film songs that amalgamate elements of these music systems and other genres, layering instruments from differing music idioms in an improvisatory manner.
Symphonic orchestral themes have accompanied his scores, where he has employed
leitmotif. In the 1980s, Rahman recorded and played arrangements on
mono, synonymous with the era of predecessors such as
K. V. Mahadevan and
Vishwanathan–
Ramamoorthy, but later his methodology changed. Rahman worked and experimented on fusing traditional instruments with new electronic sounds and technology.
His interest and outlook in music stems from his love of experimentation.
Rahman's compositions, in the vein of past and contemporary
Chennai film composers, bring out auteuristic uses of
counterpoint, orchestration and the
human voice, evolving Indian pop music with unique
timbres, forms and instrumentation. By virtue of these qualities, broad ranging lyrics and his syncretic style, his themes appeal to several sections of Indian society.
[31]
His first soundtrack for
Roja
was listed in
TIME's
"
10 Best Soundtracks" of all time in 2005. Film critic
Richard Corliss felt the "astonishing debut work parades Rahman's gift for alchemizing outside influences until they are totally Tamil, totally Rahman."
[32] Rahman's initial global reach is attributed to the
South Asian diaspora. Described as one of the most innovative composers to ever work in the industry, his unique style and immense success transformed film music in the 1990s prompting several film producers to take film music more seriously.
[33] The music producer
Ron Fair considers Rahman to be "one of the world's great living composers in any medium".
[34]
The director
Baz Luhrmann notes
"I had come to the music of A. R. Rahman through the
emotional and haunting score of Bombay
and the wit
and celebration of Lagaan
. But the more of AR's
music I encountered the more I was to be amazed at the
sheer diversity of styles: from swinging brass bands
to triumphant anthems; from joyous pop to West-End
musicals. Whatever the style, A. R.
Rahman's music always possesses a profound sense of
humanity and spirit, qualities that inspire me the
most. [35]
Awards
Rahman was the 1995 recipient of the
Mauritius National Award and the
Malaysian Award for contributions to music. He was nominated for a
Laurence Olivier Award for his first West-End production. A four-time
National Film Award winner and conferred the
Padma Shri from the
Government of India, Rahman has also received six
Tamil Nadu State Film Awards, thirteen
Filmfare Awards and twelve
Filmfare Awards South for his music and scores. In 2006, he received an honorary award from
Stanford University for contributions to global music.
[36] In 2009, for his score of
Slumdog Millionaire
, Rahman won the
Critics' Choice Award, the
Golden Globe Award for Best Original Score,
[37] the
BAFTA Award for Best Film Music, and two
Academy Awards for
Best Original Music Score and
Best Original Song at the
2009 Oscars.
Middlesex University and
Aligarh Muslim University have announced that they plan to bestow honorary doctorates on Rahman.
[38] [39]
Personal life
He is married to Saira Banu and has three children, Khadijah, Rahima, and Aameen. Rahman is the uncle of composer
G. V. Prakash Kumar, who is the son of Rahman's elder sister,
A. R. Reihana. He is related to south indian actor
Rahman. Rahman is a practising
Sufi Muslim. He had become an atheist as a result of childhood struggles, he eventually converted in to Islam in 1989, the religion of his mother's family
[40].
He is very devoted to his mother. During the Oscar Award, he paid her a tribute saying:
"There is a Hindi dialogue 'mere pass ma hai' which means even if I have got nothing I have my mother here."
[41]
Social service
Rahman is involved in various charitable causes. In 2004, he was appointed as the Global Ambassador of the Stop
TB Partnership, a project by
WHO.
He has shown support to charities including
Save the Children, India, and worked with
Cat Stevens / Yusuf Islam for his song "Indian Ocean" . The song featured
a-ha keyboard player
Magne Furuholmen and
Travis drummer,
Neil Primrose. The proceeds of the song went towards helping orphans in Banda Aceh, one of the areas worst affected by the
2004 Indian Ocean Tsunami. He produced the single "We Can Make It Better" by Don Asian alongside Mukhtar Sahota.
[42] In 2008, Rahman opened his
KM Music Conservatory partnered with Audio Media Education facility to tutor and train aspiring musicians in vocals, instruments, music technology and sound design. The conservatory – with preeminent musicians on its panel and a newly founded symphony orchestra – is located near his studio in
Kodambakkam,
Chennai, offering courses at Beginners, Foundation and Diploma level.
[43] Rahman composed the theme music for a short film for
The Banyan in 2006, in aid of destitute women in Chennai. In 2008, Rahman, along with percussionist
Sivamani created a song titled "Jiya Se Jiya", inspired by the
Free Hugs Campaign and promoted it through a video shot in various cities in India.
Filmography
As music director
Year
| Film
| Language
| Notes
|
1992
| Roja
| Tamil
| Winner
, National Film Award for Best Music Direction Winner
, Tamil Nadu State Film Award for Best Music Director Winner
, Filmfare Best Music Director Award (Tamil) Listed in TIME's
"10 Best Soundtracks" of all time in 2005
|
Yodha
| Malayalam
|
|
1993
| Pudhiya Mugam
| Tamil
| Some/all songs were remade in the Hindi film, Vishwa Vidhata
|
Gentleman
| Tamil
| Winner
, Tamil Nadu State Film Award for Best Music Director Winner
, Filmfare Best Music Director Award (Tamil)
|
Kizhakku Cheemayile
| Tamil
|
|
Uzhavan
| Tamil
|
|
Thiruda Thiruda
| Tamil
|
|
1994
| Vandicholai Chinraasu
| Tamil
|
|
Super Police
| Telugu
|
|
Duet
| Tamil
|
|
May Madham
| Tamil
|
|
Kadhalan
| Tamil
| Winner
, Tamil Nadu State Film Award for Best Music Director Winner
, Filmfare Best Music Director Award (Tamil)
|
Pavithra
| Tamil
|
|
Karuththamma
| Tamil
|
|
Pudhiya Mannargal
| Tamil
|
|
Manitha Manitha
| Tamil
|
|
Gangmaster
| Telugu
|
|
1995
| Bombay
| Tamil
| Winner
, Tamil Nadu State Film Award for Best Music Director Winner
, Filmfare Best Music Director Award (Tamil)
|
Indira
| Tamil
|
|
Rangeela
| Hindi
| Winner
, Filmfare Best Music Director Award Winner
, Filmfare RD Burman Award for New Music Talent
|
Muthu
| Tamil
| Most successful Indian soundtrack in Japan
|
1996
| Love Birds
| Tamil
|
|
Indian
| Tamil
|
|
Kadhal Desam
| Tamil
| Winner
, Filmfare Best Music Director Award (Tamil)
|
Fire
| Hindi
|
|
Mr. Romeo
| Tamil
|
|
1997
| Anthimanthaarai
| Tamil
|
|
Minsara Kanavu
(Sapnay
)
| Tamil
| Winner
, National Film Award for Best Music Direction Winner
, Tamil Nadu State Film Award for Best Music Director Winner
, Filmfare Best Music Director Award (Tamil)
|
Iruvar
| Tamil
|
|
Daud: Fun On The Run
| Hindi
|
|
Ratchagan
| Tamil
|
|
Mona Lisa
| Tamil
|
|
Vishwavidhaata
| Hindi
|
|
Kabhi Na Kabhi
| Hindi
|
|
1998
| Jeans
| Tamil
| Winner
, Filmfare Best Music Director Award (Tamil)
|
Dil Se
| Hindi
| Winner
, Filmfare Best Music Director Award "Chaiyya Chaiyya" was 9th in BBC World Service top 10 songs of all time [44]
|
Earth
| Hindi
|
|
Doli Saja Ke Rakhna
| Hindi
|
|
1999
| En Swasa Kaatre
| Tamil
|
|
Padayappa
| Tamil
|
|
Kadhalar Dhinam
| Tamil
|
|
Taal
| Hindi
| Winner
, Filmfare Best Music Director Award
|
Sangamam
| Tamil
| Winner
, Tamil Nadu State Film Award for Best Music Director
|
Jodi
| Tamil
|
|
Takshak
| Hindi
|
|
Mudhalvan
| Tamil
| Winner
, Filmfare Best Music Director Award (Tamil)
|
Taj Mahal
| Tamil
|
|
2000
| Pukar
| Hindi
|
|
Alaipayuthey
| Tamil
| Winner
, Filmfare Best Music Director Award (Tamil)
|
Kandukondain Kandukondain
| Tamil
|
|
Fiza
| Hindi
| 1 song (Piya Haji Ali)
|
Rhythm
| Tamil
|
|
Thenali
| Tamil
|
|
Zubeidaa
| Hindi
|
|
2001
| One 2 Ka 4
| Hindi
|
|
Nayak: The Real Hero
| Hindi
|
|
Love You Hamesha
| Hindi
|
|
Lagaan
| Hindi
| Winner
, National Film Award for Best Music Direction Winner
, Filmfare Best Music Director Award
|
Star
| Tamil
|
|
Parthale Paravasam
| Tamil
|
|
2002
| Alli Arjuna
| Tamil
|
|
Kannathil Muthamittal
| Tamil
| Winner
, National Film Award for Best Music Direction Winner
, Filmfare Best Music Director Award (Tamil)
|
The Legend of Bhagat Singh
| Hindi
| Winner
, Filmfare Best Background Score Award
|
Baba
| Tamil
|
|
Kadhal Virus
| Tamil
|
|
Saathiya
| Hindi
| Winner
, Filmfare Best Music Director Award
|
2003
| Parasuram
| Tamil
|
|
Boys
| Tamil
|
|
Warriors of Heaven and Earth
| Mandarin, English, Hindi
|
|
Enakku 20 Unakku 18
| Tamil
|
|
Kangalal Kaithu Sei
| Tamil
|
|
Tehzeeb
| Hindi
|
|
2004
| Udhaya
| Tamil
|
|
Lakeer - Forbidden Lines
| Hindi
|
|
Meenaxi: A Tale of Three Cities
| Hindi
|
|
Aayutha Ezhuthu
| Tamil
|
|
Yuva
| Hindi
|
|
New
| Tamil
|
|
Naani
| Telugu
|
|
Dil Ne Jise Apna Kahaa
| Hindi
| 3 songs
|
Swades
| Hindi
| Winner
, Filmfare Best Background Score Award Nominated, Filmfare Best Music Director Award
|
Kisna - The Warrior Poet
| Hindi
| 2 song
|
2005
| Netaji Subhas Chandra Bose: The Forgotten Hero
| Hindi
|
|
Mangal Pandey - The Rising
| Hindi
|
|
Anbe Aaruyire
| Tamil
|
|
Water
| Hindi
| 5 songs 1 song longlisted for 2007 Academy Award for Best Original Song nomination
|
2006
| Rang De Basanti
| Hindi
| Winner
, Filmfare Best Music Director Award 2 songs longlisted for 2007 Academy Award for Best Original Song nomination [45]
|
Sillunu Oru Kaadhal
| Tamil
| Winner
, Filmfare Best Music Director Award (Tamil)
|
Varalaru
| Tamil
|
|
2007
| Guru
| Hindi
| Winner
, Filmfare Best Music Director Award Winner
, Filmfare Best Background Score Award
|
Sajni
| Kannada
|
|
Provoked
| Hindi
|
|
Sivaji: The Boss
| Tamil
| Winner
, Filmfare Best Music Director Award (Tamil)
|
Azhagiya Thamizh Magan
| Tamil
|
|
Elizabeth: The Golden Age
| English
| With Craig Armstrong
|
2008
| Jodhaa Akbar
| Hindi
| Winner
, Filmfare Best Background Score Nominated, Filmfare Best Music Director Award Nominated, Asian Film Award for Best Composer [46]
|
Jaane Tu Ya Jaane Na
| Hindi
| Winner
, Filmfare Best Music Director Award
|
ADA: A Way of Life
| Hindi
|
|
Sakkarakatti
| Tamil
| Nominated, Filmfare Best Music Director Award (Tamil)
|
Yuvvraaj
| Hindi
|
|
Ghajini
| Hindi
| Nominated, Filmfare Best Music Director Award
|
Slumdog Millionaire
| English, Hindi
| Winner
, Academy Award for Best Original Music ScoreWinner
, Academy Award for Best Original Song for "Jai Ho"Winner
, BAFTA Award for Best Film MusicWinner
, Golden Globe Award for Best Original Score
|
2009
| Delhi 6
| Hindi
|
|
Nair San
| Japanese, Malayalam, Mandarin, Mongolian
| Filming
|
Blue
| Hindi
| Filming
|
Puli
| Telugu
| Filming
|
Ashokavanam
| Tamil
| Filming
|
Raavan
| Hindi
| Filming
|
Chennaiyil Oru Mazhaikalam
| Tamil
| Filming
|
Manavar Dhinam
| Tamil
| Filming
|
Sultan The Warrior
| Tamil
| Filming
|
Vinnaithaandi Varuvaaya
| Tamil
| Filming
|
Couples Retreat
| English
| Filming, Hollywood Debut
|
The Desire
| English, Chinese
| Filming, Only Background Score
|
2010
| Endhiran
| Tamil
| Filming
|
The 19th Step
| English, Tamil, Japanese
| Filming
|
Notes
- It's a bridge for Indian cinema: A R Rahman
- Indian film composer for Rings
- Composing a winning score
- All About Rahman - Oscars 2009 Special
- The 2009 TIME 100 - A.R. Rahman TIME.
- A R Rahman - The Rolling Stone Interview
- Bollywood: A Guidebook to Popular Hindi Cinema
- Artist of the Month: AR Rahman
- Composer Extraordinaire: The Complete Biography of A.R. Rahman
- The International Who's Who in Popular Music 2002: A. R. Rahman
- Pop Culture India!: Media, Arts and Lifestyle
- Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia
- Films don't believe in borders
- Historical Dictionary of the Tamils
- Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia
- A. R. Rahman - The Melody King
- A. R. Rahman
- Understanding Audiences and the Film Industry
- The Garland Encyclopedia of World Music
- AR Rahman: The Rolling Stone interview
- The A R Rahman Chat
- Tamil Cinema: The Cultural Politics of India's Other Film Industry
- Bollywood: A Guidebook to Popular Hindi Cinema
- Film Composer A.R. Rahman Selects Bag End Bass Speakers
- Interview with A. R. Rahman
- A R Rahman Interview
- Cinemaya 1998
- Refashioning pop music in Asia
- A. R. Rahman: Summary Biography
- Music in South India
- Worlds of Music: An Introduction to the Music of the World's Peoples
- Best Soundtracks - ALL TIME 100 MOVIES - TIME
- Bollywood: A Guidebook to Popular Hindi Cinema
- 'Slumdog' Remix: The Oscar-winning song 'Jai Ho' is reworked with help from a Pussycat Doll
- Baz Luhrrman comments on A. R. Rahman
- Stanford University honours A R Rahman
- 66th Annual Golden Globe Awards
- Rahman to be awarded an Honorary Degree in July
- Rahman to be conferred honorary doctorate by AMU
- Interview: When did you convert to Islam?http://www.pvv.ntnu.no/~kailasan/interviews/fundamentalist.htm
- Mere paas maa hai: A R Rahman http://www.mid-day.com/news/2009/feb/230209-Mere-paas-maa-hai-A-R-Rahman.htm
- LA Phil presents Hollywood Bowl: About the Performer: AR Rahman
- Rahman’s music conservatory in June
- The World's Top Ten
- Rang De Basanti making waves at Oscars
- Asian Film Awards: 2009
References
- It's a bridge for Indian cinema: A R Rahman
- Indian film composer for Rings
- Composing a winning score
- All About Rahman - Oscars 2009 Special
- The 2009 TIME 100 - A.R. Rahman TIME.
- A R Rahman - The Rolling Stone Interview
- Bollywood: A Guidebook to Popular Hindi Cinema
- Artist of the Month: AR Rahman
- Composer Extraordinaire: The Complete Biography of A.R. Rahman
- The International Who's Who in Popular Music 2002: A. R. Rahman
- Pop Culture India!: Media, Arts and Lifestyle
- Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia
- Films don't believe in borders
- Historical Dictionary of the Tamils
- Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia
- A. R. Rahman - The Melody King
- A. R. Rahman
- Understanding Audiences and the Film Industry
- The Garland Encyclopedia of World Music
- AR Rahman: The Rolling Stone interview
- The A R Rahman Chat
- Tamil Cinema: The Cultural Politics of India's Other Film Industry
- Bollywood: A Guidebook to Popular Hindi Cinema
- Film Composer A.R. Rahman Selects Bag End Bass Speakers
- Interview with A. R. Rahman
- A R Rahman Interview
- Cinemaya 1998
- Refashioning pop music in Asia
- A. R. Rahman: Summary Biography
- Music in South India
- Worlds of Music: An Introduction to the Music of the World's Peoples
- Best Soundtracks - ALL TIME 100 MOVIES - TIME
- Bollywood: A Guidebook to Popular Hindi Cinema
- 'Slumdog' Remix: The Oscar-winning song 'Jai Ho' is reworked with help from a Pussycat Doll
- Baz Luhrrman comments on A. R. Rahman
- Stanford University honours A R Rahman
- 66th Annual Golden Globe Awards
- Rahman to be awarded an Honorary Degree in July
- Rahman to be conferred honorary doctorate by AMU
- Interview: When did you convert to Islam?http://www.pvv.ntnu.no/~kailasan/interviews/fundamentalist.htm
- Mere paas maa hai: A R Rahman http://www.mid-day.com/news/2009/feb/230209-Mere-paas-maa-hai-A-R-Rahman.htm
- LA Phil presents Hollywood Bowl: About the Performer: AR Rahman
- Rahman’s music conservatory in June
- The World's Top Ten
- Rang De Basanti making waves at Oscars
- Asian Film Awards: 2009
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